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Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion

Joanna Rydzewska Orcid Logo

Journal of British Cinema and Television, Volume: 8, Issue: 3, Pages: 337 - 356

Swansea University Author: Joanna Rydzewska Orcid Logo

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DOI (Published version): 10.3366/jbctv.2011.0043

Abstract

This article analyses Roman Polanski's 1965 film, Repulsion. Using psychoanalysis and referring to Surrealism, the article contends that the film represents the trauma of exile.

Published in: Journal of British Cinema and Television
Published: Journal of British Cinema and Television 2011
URI: https://cronfa.swan.ac.uk/Record/cronfa11410
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first_indexed 2013-07-23T12:05:35Z
last_indexed 2018-02-09T04:41:01Z
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spelling 2014-03-25T13:39:04.1735873 v2 11410 2012-06-14 Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion 404f689e6ac53f83deca163c90483627 0000-0002-9011-6378 Joanna Rydzewska Joanna Rydzewska true false 2012-06-14 AMED This article analyses Roman Polanski's 1965 film, Repulsion. Using psychoanalysis and referring to Surrealism, the article contends that the film represents the trauma of exile. Journal Article Journal of British Cinema and Television 8 3 337 356 Journal of British Cinema and Television 31 12 2011 2011-12-31 10.3366/jbctv.2011.0043 COLLEGE NANME Media COLLEGE CODE AMED Swansea University 2014-03-25T13:39:04.1735873 2012-06-14T15:38:35.7406919 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Joanna Rydzewska 0000-0002-9011-6378 1
title Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
spellingShingle Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
Joanna Rydzewska
title_short Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
title_full Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
title_fullStr Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
title_full_unstemmed Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
title_sort Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion
author_id_str_mv 404f689e6ac53f83deca163c90483627
author_id_fullname_str_mv 404f689e6ac53f83deca163c90483627_***_Joanna Rydzewska
author Joanna Rydzewska
author2 Joanna Rydzewska
format Journal article
container_title Journal of British Cinema and Television
container_volume 8
container_issue 3
container_start_page 337
publishDate 2011
institution Swansea University
doi_str_mv 10.3366/jbctv.2011.0043
publisher Journal of British Cinema and Television
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR
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description This article analyses Roman Polanski's 1965 film, Repulsion. Using psychoanalysis and referring to Surrealism, the article contends that the film represents the trauma of exile.
published_date 2011-12-31T03:13:10Z
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score 11.035634