Journal article 981 views
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
Sarah Gamble
LIT: Literature Interpretation Theory, Volume: 20, Issue: 1/2, Pages: 126 - 140
Swansea University Author: Sarah Gamble
Full text not available from this repository: check for access using links below.
Abstract
Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives t...
Published in: | LIT: Literature Interpretation Theory |
---|---|
ISSN: | 1043-6928 |
Published: |
Philadelphia, PA
Routledge
2009
|
Online Access: |
Check full text
|
URI: | https://cronfa.swan.ac.uk/Record/cronfa11434 |
first_indexed |
2013-07-23T12:05:39Z |
---|---|
last_indexed |
2018-02-09T04:41:04Z |
id |
cronfa11434 |
recordtype |
SURis |
fullrecord |
<?xml version="1.0"?><rfc1807><datestamp>2013-09-23T12:58:01.6141829</datestamp><bib-version>v2</bib-version><id>11434</id><entry>2012-06-14</entry><title>'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'</title><swanseaauthors><author><sid>160e40d8c289a3b332b4aef83893421c</sid><firstname>Sarah</firstname><surname>Gamble</surname><name>Sarah Gamble</name><active>true</active><ethesisStudent>false</ethesisStudent></author></swanseaauthors><date>2012-06-14</date><deptcode>CACS</deptcode><abstract>Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives that run counter to public discourses regarding gender and propriety. In the processs, it also enables the authors of these texts to pass metafictional comment on the neo-Victorian project as itself an exercise in masquerade.</abstract><type>Journal Article</type><journal>LIT: Literature Interpretation Theory</journal><volume>20</volume><journalNumber>1/2</journalNumber><paginationStart>126</paginationStart><paginationEnd>140</paginationEnd><publisher>Routledge</publisher><placeOfPublication>Philadelphia, PA</placeOfPublication><issnPrint>1043-6928</issnPrint><issnElectronic/><keywords>Queen Victoria, emmanlinancy, queer, transgender, neo-Victorian.</keywords><publishedDay>31</publishedDay><publishedMonth>12</publishedMonth><publishedYear>2009</publishedYear><publishedDate>2009-12-31</publishedDate><doi/><url/><notes></notes><college>COLLEGE NANME</college><department>Culture and Communications School</department><CollegeCode>COLLEGE CODE</CollegeCode><DepartmentCode>CACS</DepartmentCode><institution>Swansea University</institution><apcterm/><lastEdited>2013-09-23T12:58:01.6141829</lastEdited><Created>2012-06-14T15:38:35.9311289</Created><path><level id="1">Faculty of Humanities and Social Sciences</level><level id="2">School of Culture and Communication - English Language, Tesol, Applied Linguistics</level></path><authors><author><firstname>Sarah</firstname><surname>Gamble</surname><order>1</order></author></authors><documents/><OutputDurs/></rfc1807> |
spelling |
2013-09-23T12:58:01.6141829 v2 11434 2012-06-14 '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' 160e40d8c289a3b332b4aef83893421c Sarah Gamble Sarah Gamble true false 2012-06-14 CACS Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives that run counter to public discourses regarding gender and propriety. In the processs, it also enables the authors of these texts to pass metafictional comment on the neo-Victorian project as itself an exercise in masquerade. Journal Article LIT: Literature Interpretation Theory 20 1/2 126 140 Routledge Philadelphia, PA 1043-6928 Queen Victoria, emmanlinancy, queer, transgender, neo-Victorian. 31 12 2009 2009-12-31 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2013-09-23T12:58:01.6141829 2012-06-14T15:38:35.9311289 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Sarah Gamble 1 |
title |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
spellingShingle |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' Sarah Gamble |
title_short |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
title_full |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
title_fullStr |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
title_full_unstemmed |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
title_sort |
'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' |
author_id_str_mv |
160e40d8c289a3b332b4aef83893421c |
author_id_fullname_str_mv |
160e40d8c289a3b332b4aef83893421c_***_Sarah Gamble |
author |
Sarah Gamble |
author2 |
Sarah Gamble |
format |
Journal article |
container_title |
LIT: Literature Interpretation Theory |
container_volume |
20 |
container_issue |
1/2 |
container_start_page |
126 |
publishDate |
2009 |
institution |
Swansea University |
issn |
1043-6928 |
publisher |
Routledge |
college_str |
Faculty of Humanities and Social Sciences |
hierarchytype |
|
hierarchy_top_id |
facultyofhumanitiesandsocialsciences |
hierarchy_top_title |
Faculty of Humanities and Social Sciences |
hierarchy_parent_id |
facultyofhumanitiesandsocialsciences |
hierarchy_parent_title |
Faculty of Humanities and Social Sciences |
department_str |
School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics |
document_store_str |
0 |
active_str |
0 |
description |
Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives that run counter to public discourses regarding gender and propriety. In the processs, it also enables the authors of these texts to pass metafictional comment on the neo-Victorian project as itself an exercise in masquerade. |
published_date |
2009-12-31T06:19:31Z |
_version_ |
1824374990130118656 |
score |
11.051002 |