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(Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity

Sheena Vachhani

Management and Organizational History, Volume: 8, Issue: 1, Pages: 91 - 104

Swansea University Author: Sheena Vachhani

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DOI (Published version): 10.1080/17449359.2013.750052

Abstract

In this paper I explore the notion of everyday creativity as affective practice through the resurrection of craft especially vintage objects and traditional craft practices. These evoke memories of objects from the past. This is explored in relation to two specific sites of organisation: knitting cu...

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Published in: Management and Organizational History
ISSN: 1744-9359
Published: 2013
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URI: https://cronfa.swan.ac.uk/Record/cronfa12308
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first_indexed 2013-07-23T12:07:48Z
last_indexed 2018-02-09T04:42:22Z
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spelling 2017-12-28T13:41:43.5419760 v2 12308 2012-07-31 (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity 5e9b39bbae69110c1318b9b4442126c3 Sheena Vachhani Sheena Vachhani true false 2012-07-31 In this paper I explore the notion of everyday creativity as affective practice through the resurrection of craft especially vintage objects and traditional craft practices. These evoke memories of objects from the past. This is explored in relation to two specific sites of organisation: knitting culture through the practice of yarn bombing and vinyl record collecting. These two sites creatively modify cultural and physical landscapes. Taking the affective turn as the basis of the discussion, I explore ways in which tactility and touch intersect with everyday creativity to provide meaning and self-identity but also affective relationships with objects. Thus, the contribution of this paper develops a neglected area of affect and its relation to creativity in organisation studies. I conclude by discussing the affective politics of craft and the resurrection, reproduction and recreation of vintage objects. Journal Article Management and Organizational History 8 1 91 104 1744-9359 affect, craft, creativity, touch, vintage, vinyl collecting, yarn bombing 31 12 2013 2013-12-31 10.1080/17449359.2013.750052 http://www.tandfonline.com/doi/pdf/10.1080/17449359.2013.750052 COLLEGE NANME COLLEGE CODE Swansea University 2017-12-28T13:41:43.5419760 2012-07-31T13:18:10.3955434 Faculty of Humanities and Social Sciences School of Management - Business Management Sheena Vachhani 1
title (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
spellingShingle (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
Sheena Vachhani
title_short (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
title_full (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
title_fullStr (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
title_full_unstemmed (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
title_sort (Re)Creating Objects From the Past – Affect, Tactility and Everyday Creativity
author_id_str_mv 5e9b39bbae69110c1318b9b4442126c3
author_id_fullname_str_mv 5e9b39bbae69110c1318b9b4442126c3_***_Sheena Vachhani
author Sheena Vachhani
author2 Sheena Vachhani
format Journal article
container_title Management and Organizational History
container_volume 8
container_issue 1
container_start_page 91
publishDate 2013
institution Swansea University
issn 1744-9359
doi_str_mv 10.1080/17449359.2013.750052
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Management - Business Management{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Management - Business Management
url http://www.tandfonline.com/doi/pdf/10.1080/17449359.2013.750052
document_store_str 0
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description In this paper I explore the notion of everyday creativity as affective practice through the resurrection of craft especially vintage objects and traditional craft practices. These evoke memories of objects from the past. This is explored in relation to two specific sites of organisation: knitting culture through the practice of yarn bombing and vinyl record collecting. These two sites creatively modify cultural and physical landscapes. Taking the affective turn as the basis of the discussion, I explore ways in which tactility and touch intersect with everyday creativity to provide meaning and self-identity but also affective relationships with objects. Thus, the contribution of this paper develops a neglected area of affect and its relation to creativity in organisation studies. I conclude by discussing the affective politics of craft and the resurrection, reproduction and recreation of vintage objects.
published_date 2013-12-31T03:14:13Z
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score 11.012678

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