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‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
Andrew Rothwell
The Modern Language Review, Volume: 110, Issue: 1, Pages: 121 - 148
Swansea University Author: Andrew Rothwell
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DOI (Published version): 10.5699/modelangrevi.110.1.0121
Abstract
Much of Bernard Noël's poetry develops out of phenomenological processes of reflection and inversion, figured metapoetically by the sablier image and its avatars. Among these is the (dark) mirror, which initiates the poet's investigation of selfhood and writing in the important poem sequen...
| Published in: | The Modern Language Review |
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| ISSN: | 0026-7937 |
| Published: |
Modern Humanities Research Association
2015
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| Online Access: |
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| URI: | https://cronfa.swan.ac.uk/Record/cronfa19969 |
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| Abstract: |
Much of Bernard Noël's poetry develops out of phenomenological processes of reflection and inversion, figured metapoetically by the sablier image and its avatars. Among these is the (dark) mirror, which initiates the poet's investigation of selfhood and writing in the important poem sequence ‘L'Ombre du double’ of 1993. This study explores the complex variations which Noël weaves, here and elsewhere, on the key terms ombre and double, to construct the page as a ‘maison d'envers’—a mental space where past, present, and future merge, where self and other, poet and reader interact, and where the limits of poetic language are tested. |
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| Item Description: |
ISBN: 978-1-781881-98-9 |
| Keywords: |
phenomenology, sablier, hourglass, reflection, inversion, shadow, double |
| College: |
Faculty of Humanities and Social Sciences |
| Issue: |
1 |
| Start Page: |
121 |
| End Page: |
148 |