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Andreas Dresen

Julian Preece Orcid Logo

Swansea University Author: Julian Preece Orcid Logo

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DOI (Published version): 10.3726/b10540

Abstract

Andreas Dresen is a leading European filmmaker whose œuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The ess...

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ISBN: 9781787072053 9781906165680
Published: Oxford Peter Lang UK 2016
Online Access: https://www.peterlang.com/view/title/11096
URI: https://cronfa.swan.ac.uk/Record/cronfa23766
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last_indexed 2021-07-24T02:35:07Z
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spelling 2021-07-23T16:28:21.1378630 v2 23766 2015-10-14 Andreas Dresen 6cf10f340b4335c30856d022675b34b2 0000-0002-8887-740X Julian Preece Julian Preece true false 2015-10-14 AMOD Andreas Dresen is a leading European filmmaker whose œuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany’s east. Edited book Peter Lang UK Oxford 9781787072053 9781906165680 Dresen, Andreas, Criticism and interpretation, Motion picture producers and directors. Film , Germany, German 26 12 2016 2016-12-26 10.3726/b10540 https://www.peterlang.com/view/title/11096 Editors: Julian Preece and Nick Hodgin COLLEGE NANME Modern Languages COLLEGE CODE AMOD Swansea University 2021-07-23T16:28:21.1378630 2015-10-14T16:42:43.7453818 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Julian Preece 0000-0002-8887-740X 1
title Andreas Dresen
spellingShingle Andreas Dresen
Julian Preece
title_short Andreas Dresen
title_full Andreas Dresen
title_fullStr Andreas Dresen
title_full_unstemmed Andreas Dresen
title_sort Andreas Dresen
author_id_str_mv 6cf10f340b4335c30856d022675b34b2
author_id_fullname_str_mv 6cf10f340b4335c30856d022675b34b2_***_Julian Preece
author Julian Preece
author2 Julian Preece
format Edited book
publishDate 2016
institution Swansea University
isbn 9781787072053
9781906165680
doi_str_mv 10.3726/b10540
publisher Peter Lang UK
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
url https://www.peterlang.com/view/title/11096
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description Andreas Dresen is a leading European filmmaker whose œuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany’s east.
published_date 2016-12-26T03:28:07Z
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score 11.012678

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