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Developments in Eastern European Cinema since 1989 (Chapter 13)
The Routledge Companion to World Cinema, Pages: 167 - 180
Swansea University Author: Joanna Rydzewska
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Abstract
This chapter examines the ways in which Eastern European cinema has become Europeanized. It looks at how the idea of Eastern Europe and its cinema has been shaped vis-à-vis the West, and redefined after the collapse of communism. Contrary to the received wisdom that a new paradigm emerged in 1989, t...
Published in: | The Routledge Companion to World Cinema |
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ISBN: | 9781138918801 |
Published: |
Routledge
2018
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https://www.taylorfrancis.com/chapters/edit/10.4324/9781315688251-14/developments-eastern-european-cinemas-since-1989-el%C5%BCbieta-ostrowska-joanna-rydzewska |
URI: | https://cronfa.swan.ac.uk/Record/cronfa29914 |
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title |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
spellingShingle |
Developments in Eastern European Cinema since 1989 (Chapter 13) Joanna Rydzewska |
title_short |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
title_full |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
title_fullStr |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
title_full_unstemmed |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
title_sort |
Developments in Eastern European Cinema since 1989 (Chapter 13) |
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404f689e6ac53f83deca163c90483627 |
author_id_fullname_str_mv |
404f689e6ac53f83deca163c90483627_***_Joanna Rydzewska |
author |
Joanna Rydzewska |
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Joanna Rydzewska Elzbieta Ostrowska |
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Book chapter |
container_title |
The Routledge Companion to World Cinema |
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167 |
publishDate |
2018 |
institution |
Swansea University |
isbn |
9781138918801 |
publisher |
Routledge |
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Faculty of Humanities and Social Sciences |
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Faculty of Humanities and Social Sciences |
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School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR |
url |
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315688251-14/developments-eastern-european-cinemas-since-1989-el%C5%BCbieta-ostrowska-joanna-rydzewska |
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description |
This chapter examines the ways in which Eastern European cinema has become Europeanized. It looks at how the idea of Eastern Europe and its cinema has been shaped vis-à-vis the West, and redefined after the collapse of communism. Contrary to the received wisdom that a new paradigm emerged in 1989, this chapter argues that it is only since 2000 that Eastern European cinema has enjoyed recognition after the near collapse of its film industries in the 1990s. In the three case studies of the Hungarian filmmaker Béla Tarr, Eastern European female directors and the Romanian New Wave, the chapter analyses the emergence in Eastern Europe of a new complex model of film production aligned with its larger European counterpart. This producer-driven model is based on three further aspects: the national film institutes, international co-productions and participation in film festivals. |
published_date |
2018-01-01T07:49:06Z |
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11.035634 |