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‘”In Blinking Blankness”: The Last Poems’

John Goodby

Patrick Kavanagh: A Revaluation, Pages: 145 - 162

Swansea University Author: John Goodby

Abstract

Continuation of the other chapter I contributed to this book, dealing with Kavanagh's final poetry, or 'noo pomes', and their origin in his previous work of the 1950s. Contains an extended discussion of Kavanagh's use of the sonnet and the 'Canal Bank sonnets' 'seq...

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Published in: Patrick Kavanagh: A Revaluation
Published: Dublin / Portland Irish Academic Press 2009
Online Access: http://irishacademicpress.ie/product/patrick-kavanagh/
URI: https://cronfa.swan.ac.uk/Record/cronfa332
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spelling 2013-11-07T14:21:09.5063058 v2 332 2011-10-01 ‘”In Blinking Blankness”: The Last Poems’ a342893822b30da6f736641802def9ab John Goodby John Goodby true false 2011-10-01 FGHSS Continuation of the other chapter I contributed to this book, dealing with Kavanagh's final poetry, or 'noo pomes', and their origin in his previous work of the 1950s. Contains an extended discussion of Kavanagh's use of the sonnet and the 'Canal Bank sonnets' 'sequence', including 'The Hospital' and 'Canal Bank Walk'. The 'noo pomes', such as 'To Hell with Commonsense' and 'Dear Folks', are seen not as the doggerel efforts they are generally taken to be but as quasi-Skeltonic attempts to write a riskily dialogic poetry of process. The success and failures of this attempt are explored, and issue is taken with Declan Kiberd, whose claim that Kavanagh ruralized Dublin in a reactionary way misses the point that this was what Kavanagh's critics tended to do, not Kavanagh himself. On the other hand, it is suggested that there was more than a hint of desperation in this later writing; it was a 'comic-desperate, semi-mystical dismemberment of the lyric "I" at a time when [Irish] society seemed to be imploding through economic stagnation.' Book chapter Patrick Kavanagh: A Revaluation 145 162 Irish Academic Press Dublin / Portland Kavanagh, Kiberd, noo pomes, &apos;Canal Bank Walk&apos;, Kristeva, Come Dance With Kitty Stobling 21 2 2009 2009-02-21 http://irishacademicpress.ie/product/patrick-kavanagh/ COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2013-11-07T14:21:09.5063058 2011-10-01T00:00:00.0000000 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics John Goodby 1
title ‘”In Blinking Blankness”: The Last Poems’
spellingShingle ‘”In Blinking Blankness”: The Last Poems’
John Goodby
title_short ‘”In Blinking Blankness”: The Last Poems’
title_full ‘”In Blinking Blankness”: The Last Poems’
title_fullStr ‘”In Blinking Blankness”: The Last Poems’
title_full_unstemmed ‘”In Blinking Blankness”: The Last Poems’
title_sort ‘”In Blinking Blankness”: The Last Poems’
author_id_str_mv a342893822b30da6f736641802def9ab
author_id_fullname_str_mv a342893822b30da6f736641802def9ab_***_John Goodby
author John Goodby
author2 John Goodby
format Book chapter
container_title Patrick Kavanagh: A Revaluation
container_start_page 145
publishDate 2009
institution Swansea University
publisher Irish Academic Press
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
url http://irishacademicpress.ie/product/patrick-kavanagh/
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description Continuation of the other chapter I contributed to this book, dealing with Kavanagh's final poetry, or 'noo pomes', and their origin in his previous work of the 1950s. Contains an extended discussion of Kavanagh's use of the sonnet and the 'Canal Bank sonnets' 'sequence', including 'The Hospital' and 'Canal Bank Walk'. The 'noo pomes', such as 'To Hell with Commonsense' and 'Dear Folks', are seen not as the doggerel efforts they are generally taken to be but as quasi-Skeltonic attempts to write a riskily dialogic poetry of process. The success and failures of this attempt are explored, and issue is taken with Declan Kiberd, whose claim that Kavanagh ruralized Dublin in a reactionary way misses the point that this was what Kavanagh's critics tended to do, not Kavanagh himself. On the other hand, it is suggested that there was more than a hint of desperation in this later writing; it was a 'comic-desperate, semi-mystical dismemberment of the lyric "I" at a time when [Irish] society seemed to be imploding through economic stagnation.'
published_date 2009-02-21T03:03:03Z
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