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‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literar...

John Goodby

Pages: 43 - 62

Swansea University Author: John Goodby

Abstract

A 10-page poem, based on 'The Marginalization of Poetry' by the US LANGUAGE poet and critic Bob Perelman, which attacks British mainstream poetics and the ready academic acceptance of its bland and boring staples. Using author's own schizophrenic stance as a modestly successful poet i...

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Published: Eastbourne / Portland / Toronto Sussex Academic Press 2011
URI: https://cronfa.swan.ac.uk/Record/cronfa338
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spelling 2011-10-01T00:00:00.0000000 v2 338 2011-10-01 ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series) a342893822b30da6f736641802def9ab John Goodby John Goodby true false 2011-10-01 FGHSS A 10-page poem, based on 'The Marginalization of Poetry' by the US LANGUAGE poet and critic Bob Perelman, which attacks British mainstream poetics and the ready academic acceptance of its bland and boring staples. Using author's own schizophrenic stance as a modestly successful poet in official verse culture before a turn to experimental writing around 2000, it presents a brief account of the divided nature of critical discourses surrounding British poetries, and how these have emerged since the mid-twentieth century, drawing on critics as various as Andrew Crozier and Samuel Hynes. However, there are sideswipes against the too-facile incorporations of late-modernist stylistic tics in certain kinds of theory and 'creative' criticism (which miss the point that innovative writing is deconstructionist avant la lettre), and the piece concludes by making the case for overcoming polarized poetic discourses, critical and practical, by re-investigating figures who straddle, and so problematise, the fault-lines between the different camps, such as Dylan Thomas. Footnotes offer examples of the experimental and mainstream poetry of the author to illustrate these points. Book chapter 43 62 Sussex Academic Press Eastbourne / Portland / Toronto Marginalization, poetry, academia, mainstream, Bob Perelman, creative, critical, lineation, boundary, figuration, contractual language, Lacan, Kristeva, Derrida, Geoff Ward, Frank O&apos;Hara, Valentine Cunningham, Andrew Motion, Dylan Thomas, W. S. Graham, Andrew Crozier, Salt, Shearsman 27 6 2011 2011-06-27 COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2011-10-01T00:00:00.0000000 2011-10-01T00:00:00.0000000 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics John Goodby 1
title ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
spellingShingle ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
John Goodby
title_short ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
title_full ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
title_fullStr ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
title_full_unstemmed ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
title_sort ‘The Poetry of Marginalization’, in John Shad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism - Not to Mention the University (Critical Interventions Series)
author_id_str_mv a342893822b30da6f736641802def9ab
author_id_fullname_str_mv a342893822b30da6f736641802def9ab_***_John Goodby
author John Goodby
author2 John Goodby
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container_start_page 43
publishDate 2011
institution Swansea University
publisher Sussex Academic Press
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hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description A 10-page poem, based on 'The Marginalization of Poetry' by the US LANGUAGE poet and critic Bob Perelman, which attacks British mainstream poetics and the ready academic acceptance of its bland and boring staples. Using author's own schizophrenic stance as a modestly successful poet in official verse culture before a turn to experimental writing around 2000, it presents a brief account of the divided nature of critical discourses surrounding British poetries, and how these have emerged since the mid-twentieth century, drawing on critics as various as Andrew Crozier and Samuel Hynes. However, there are sideswipes against the too-facile incorporations of late-modernist stylistic tics in certain kinds of theory and 'creative' criticism (which miss the point that innovative writing is deconstructionist avant la lettre), and the piece concludes by making the case for overcoming polarized poetic discourses, critical and practical, by re-investigating figures who straddle, and so problematise, the fault-lines between the different camps, such as Dylan Thomas. Footnotes offer examples of the experimental and mainstream poetry of the author to illustrate these points.
published_date 2011-06-27T03:03:04Z
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score 11.0128355

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