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Journal article 1139 views

The Politics of Privacy and the Renaissance Public Stage

Eoin Price Orcid Logo

Literature Compass, Volume: 12, Issue: 7, Pages: 311 - 321

Swansea University Author: Eoin Price Orcid Logo

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DOI (Published version): 10.1111/lic3.12243

Abstract

This article examines the politics of privacy and the public drama of the English Renaissance commercial stage. It surveys some recent critical approaches towards the study of privacy and politics including analyses of a supposed early modern public sphere. The article then attends to studies focusi...

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Published in: Literature Compass
ISSN: 1741-4113
Published: Wiley 2015
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URI: https://cronfa.swan.ac.uk/Record/cronfa34735
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first_indexed 2017-07-25T13:23:39Z
last_indexed 2020-12-17T03:52:49Z
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spelling 2020-12-16T17:01:15.7530137 v2 34735 2017-07-24 The Politics of Privacy and the Renaissance Public Stage 5eede959b07e4a7b96cab66816cd8a8f 0000-0001-9546-9183 Eoin Price Eoin Price true false 2017-07-24 AELC This article examines the politics of privacy and the public drama of the English Renaissance commercial stage. It surveys some recent critical approaches towards the study of privacy and politics including analyses of a supposed early modern public sphere. The article then attends to studies focusing on Renaissance drama and urges that the study of political privacy be extended beyond domesticity. The essay contends that a wider examination of the corpus of public drama in the English Renaissance is necessary. Shakespeare's plays often take centre stage in critical discussions, but complex concepts like privacy and publicity ought to be explored in reference to the diverse range of plays written for the Renaissance theatres. To illustrate the benefits of exploring the wider Renaissance corpus, the article ends by discussing politics and privacy in the neglected tragedy Soliman and Perseda. Journal Article Literature Compass 12 7 311 321 Wiley 1741-4113 Renaissance drama; privacy; politics; public sphere 31 7 2015 2015-07-31 10.1111/lic3.12243 COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2020-12-16T17:01:15.7530137 2017-07-24T22:41:16.2637273 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Eoin Price 0000-0001-9546-9183 1
title The Politics of Privacy and the Renaissance Public Stage
spellingShingle The Politics of Privacy and the Renaissance Public Stage
Eoin Price
title_short The Politics of Privacy and the Renaissance Public Stage
title_full The Politics of Privacy and the Renaissance Public Stage
title_fullStr The Politics of Privacy and the Renaissance Public Stage
title_full_unstemmed The Politics of Privacy and the Renaissance Public Stage
title_sort The Politics of Privacy and the Renaissance Public Stage
author_id_str_mv 5eede959b07e4a7b96cab66816cd8a8f
author_id_fullname_str_mv 5eede959b07e4a7b96cab66816cd8a8f_***_Eoin Price
author Eoin Price
author2 Eoin Price
format Journal article
container_title Literature Compass
container_volume 12
container_issue 7
container_start_page 311
publishDate 2015
institution Swansea University
issn 1741-4113
doi_str_mv 10.1111/lic3.12243
publisher Wiley
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description This article examines the politics of privacy and the public drama of the English Renaissance commercial stage. It surveys some recent critical approaches towards the study of privacy and politics including analyses of a supposed early modern public sphere. The article then attends to studies focusing on Renaissance drama and urges that the study of political privacy be extended beyond domesticity. The essay contends that a wider examination of the corpus of public drama in the English Renaissance is necessary. Shakespeare's plays often take centre stage in critical discussions, but complex concepts like privacy and publicity ought to be explored in reference to the diverse range of plays written for the Renaissance theatres. To illustrate the benefits of exploring the wider Renaissance corpus, the article ends by discussing politics and privacy in the neglected tragedy Soliman and Perseda.
published_date 2015-07-31T03:43:06Z
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score 11.016258

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