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In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution

Daniel Williams Orcid Logo

Devolutionary Readings: English Language Poetry and Contemporary Wales, Pages: 115 - 156

Swansea University Author: Daniel Williams Orcid Logo

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DOI (Published version): 10.3726/b13147

Abstract

A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationa...

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Published in: Devolutionary Readings: English Language Poetry and Contemporary Wales
ISBN: 9781788740708
Published: Oxford Peter Lang 2018
Online Access: https://www.peterlang.com/view/product/47152
URI: https://cronfa.swan.ac.uk/Record/cronfa36853
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first_indexed 2017-11-21T05:08:50Z
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fullrecord <?xml version="1.0"?><rfc1807><datestamp>2019-02-14T10:56:23.5811568</datestamp><bib-version>v2</bib-version><id>36853</id><entry>2017-11-20</entry><title>In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution</title><swanseaauthors><author><sid>827c700e950aa7919de43dff2e494e85</sid><ORCID>0000-0002-8744-1479</ORCID><firstname>Daniel</firstname><surname>Williams</surname><name>Daniel Williams</name><active>true</active><ethesisStudent>false</ethesisStudent></author></swanseaauthors><date>2017-11-20</date><deptcode>AELC</deptcode><abstract>A predominantly &#x2018;anti-nationalist&#x2019; emphasis on &#x2018;hybridity&#x2019; and the &#x2018;transnational&#x2019; may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationalism. This chapter responds to the claim that poets have lacked acommitment to the Welsh &#x2018;national project&#x2019; since the advent of devolution, and aims to offeran alternative account. I begin by exploring the assumptions and values at work in the currentespousal of &#x2018;hybridity&#x2019; before proceeding to argue that in the works of Nerys Williams,Rhys Trimble and Childe Roland we see the distinctive bilingualism and cultural traditionsof Wales being engaged with in ways that are of profound relevance to contemporary debateson Welsh culture, politics and national identity. I am not attempting to corral these writersinto a movement, nor to associate their writings with positions that they may not wish toembrace. My claim, rather, is that the poems discussed in this chapter emerge from a convergenceof poetry and national identity in the period since political devolution; a convergencethat results in the formal and thematic experimentation of avant-garde poetry reconfiguringWelshness, while the distinctiveness of Wales reconfigures the avant-garde.</abstract><type>Book chapter</type><journal>Devolutionary Readings: English Language Poetry and Contemporary Wales</journal><paginationStart>115</paginationStart><paginationEnd>156</paginationEnd><publisher>Peter Lang</publisher><placeOfPublication>Oxford</placeOfPublication><isbnPrint>9781788740708</isbnPrint><keywords>Avant-garde. Devolution. Poetry. Wales. Childe Roland. Nerys Williams. Rhys Trimble. Nationalism.</keywords><publishedDay>31</publishedDay><publishedMonth>12</publishedMonth><publishedYear>2018</publishedYear><publishedDate>2018-12-31</publishedDate><doi>10.3726/b13147</doi><url>https://www.peterlang.com/view/product/47152</url><notes/><college>COLLEGE NANME</college><department>English Literature</department><CollegeCode>COLLEGE CODE</CollegeCode><DepartmentCode>AELC</DepartmentCode><institution>Swansea University</institution><apcterm/><lastEdited>2019-02-14T10:56:23.5811568</lastEdited><Created>2017-11-20T19:40:55.2219219</Created><path><level id="1">Faculty of Humanities and Social Sciences</level><level id="2">School of Culture and Communication - English Literature, Creative Writing</level></path><authors><author><firstname>Daniel</firstname><surname>Williams</surname><orcid>0000-0002-8744-1479</orcid><order>1</order></author></authors><documents/><OutputDurs/></rfc1807>
spelling 2019-02-14T10:56:23.5811568 v2 36853 2017-11-20 In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution 827c700e950aa7919de43dff2e494e85 0000-0002-8744-1479 Daniel Williams Daniel Williams true false 2017-11-20 AELC A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationalism. This chapter responds to the claim that poets have lacked acommitment to the Welsh ‘national project’ since the advent of devolution, and aims to offeran alternative account. I begin by exploring the assumptions and values at work in the currentespousal of ‘hybridity’ before proceeding to argue that in the works of Nerys Williams,Rhys Trimble and Childe Roland we see the distinctive bilingualism and cultural traditionsof Wales being engaged with in ways that are of profound relevance to contemporary debateson Welsh culture, politics and national identity. I am not attempting to corral these writersinto a movement, nor to associate their writings with positions that they may not wish toembrace. My claim, rather, is that the poems discussed in this chapter emerge from a convergenceof poetry and national identity in the period since political devolution; a convergencethat results in the formal and thematic experimentation of avant-garde poetry reconfiguringWelshness, while the distinctiveness of Wales reconfigures the avant-garde. Book chapter Devolutionary Readings: English Language Poetry and Contemporary Wales 115 156 Peter Lang Oxford 9781788740708 Avant-garde. Devolution. Poetry. Wales. Childe Roland. Nerys Williams. Rhys Trimble. Nationalism. 31 12 2018 2018-12-31 10.3726/b13147 https://www.peterlang.com/view/product/47152 COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2019-02-14T10:56:23.5811568 2017-11-20T19:40:55.2219219 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Daniel Williams 0000-0002-8744-1479 1
title In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
spellingShingle In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
Daniel Williams
title_short In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
title_full In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
title_fullStr In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
title_full_unstemmed In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
title_sort In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
author_id_str_mv 827c700e950aa7919de43dff2e494e85
author_id_fullname_str_mv 827c700e950aa7919de43dff2e494e85_***_Daniel Williams
author Daniel Williams
author2 Daniel Williams
format Book chapter
container_title Devolutionary Readings: English Language Poetry and Contemporary Wales
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publishDate 2018
institution Swansea University
isbn 9781788740708
doi_str_mv 10.3726/b13147
publisher Peter Lang
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Literature, Creative Writing{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Literature, Creative Writing
url https://www.peterlang.com/view/product/47152
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description A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationalism. This chapter responds to the claim that poets have lacked acommitment to the Welsh ‘national project’ since the advent of devolution, and aims to offeran alternative account. I begin by exploring the assumptions and values at work in the currentespousal of ‘hybridity’ before proceeding to argue that in the works of Nerys Williams,Rhys Trimble and Childe Roland we see the distinctive bilingualism and cultural traditionsof Wales being engaged with in ways that are of profound relevance to contemporary debateson Welsh culture, politics and national identity. I am not attempting to corral these writersinto a movement, nor to associate their writings with positions that they may not wish toembrace. My claim, rather, is that the poems discussed in this chapter emerge from a convergenceof poetry and national identity in the period since political devolution; a convergencethat results in the formal and thematic experimentation of avant-garde poetry reconfiguringWelshness, while the distinctiveness of Wales reconfigures the avant-garde.
published_date 2018-12-31T03:46:14Z
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score 11.012678

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