Book chapter 1446 views
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution
Devolutionary Readings: English Language Poetry and Contemporary Wales, Pages: 115 - 156
Swansea University Author: Daniel Williams
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DOI (Published version): 10.3726/b13147
Abstract
A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationa...
Published in: | Devolutionary Readings: English Language Poetry and Contemporary Wales |
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ISBN: | 9781788740708 |
Published: |
Oxford
Peter Lang
2018
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Online Access: |
https://www.peterlang.com/view/product/47152 |
URI: | https://cronfa.swan.ac.uk/Record/cronfa36853 |
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2017-11-21T05:08:50Z |
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2019-02-14T13:45:36Z |
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2019-02-14T10:56:23.5811568 v2 36853 2017-11-20 In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution 827c700e950aa7919de43dff2e494e85 0000-0002-8744-1479 Daniel Williams Daniel Williams true false 2017-11-20 CACS A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationalism. This chapter responds to the claim that poets have lacked acommitment to the Welsh ‘national project’ since the advent of devolution, and aims to offeran alternative account. I begin by exploring the assumptions and values at work in the currentespousal of ‘hybridity’ before proceeding to argue that in the works of Nerys Williams,Rhys Trimble and Childe Roland we see the distinctive bilingualism and cultural traditionsof Wales being engaged with in ways that are of profound relevance to contemporary debateson Welsh culture, politics and national identity. I am not attempting to corral these writersinto a movement, nor to associate their writings with positions that they may not wish toembrace. My claim, rather, is that the poems discussed in this chapter emerge from a convergenceof poetry and national identity in the period since political devolution; a convergencethat results in the formal and thematic experimentation of avant-garde poetry reconfiguringWelshness, while the distinctiveness of Wales reconfigures the avant-garde. Book chapter Devolutionary Readings: English Language Poetry and Contemporary Wales 115 156 Peter Lang Oxford 9781788740708 Avant-garde. Devolution. Poetry. Wales. Childe Roland. Nerys Williams. Rhys Trimble. Nationalism. 31 12 2018 2018-12-31 10.3726/b13147 https://www.peterlang.com/view/product/47152 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2019-02-14T10:56:23.5811568 2017-11-20T19:40:55.2219219 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Daniel Williams 0000-0002-8744-1479 1 |
title |
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
spellingShingle |
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution Daniel Williams |
title_short |
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
title_full |
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
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In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
title_full_unstemmed |
In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
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In Paris or Sofia? Avant-garde poetry and cultural nationalism after devolution |
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Devolutionary Readings: English Language Poetry and Contemporary Wales |
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Peter Lang |
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A predominantly ‘anti-nationalist’ emphasis on ‘hybridity’ and the ‘transnational’ may beseen to characterize much of the poetry and poetic analysis in the period since 1997. Criticshave tended to describe Welsh avant-garde poetry, in particular, in terms that make it antitheticalto cultural nationalism. This chapter responds to the claim that poets have lacked acommitment to the Welsh ‘national project’ since the advent of devolution, and aims to offeran alternative account. I begin by exploring the assumptions and values at work in the currentespousal of ‘hybridity’ before proceeding to argue that in the works of Nerys Williams,Rhys Trimble and Childe Roland we see the distinctive bilingualism and cultural traditionsof Wales being engaged with in ways that are of profound relevance to contemporary debateson Welsh culture, politics and national identity. I am not attempting to corral these writersinto a movement, nor to associate their writings with positions that they may not wish toembrace. My claim, rather, is that the poems discussed in this chapter emerge from a convergenceof poetry and national identity in the period since political devolution; a convergencethat results in the formal and thematic experimentation of avant-garde poetry reconfiguringWelshness, while the distinctiveness of Wales reconfigures the avant-garde. |
published_date |
2018-12-31T01:34:26Z |
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1822092129533427712 |
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11.048302 |