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The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler. / Marya Vrba

Swansea University Author: Marya Vrba

Abstract

This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the...

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Published: 2011
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
URI: https://cronfa.swan.ac.uk/Record/cronfa42396
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spelling 2018-08-15T10:31:36.1251170 v2 42396 2018-08-02 The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler. bfa00035b6e44e6a020cefaa749d1570 NULL Marya Vrba Marya Vrba true true 2018-08-02 This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the inherent dualism of the literary dream and its close relationship with creativity. In Robert Musil's Die Verwirrungen des Zdglings Tdrlefi (1906), the protagonist serves as the model for a new type of self-determining subject who draws on the knowledge of dreams and irrationality. Franz Kafka's texts reveal techniques for integrating the dream into fictional worlds that are already dreamlike through the prevalence of (literalised) metaphor and free association. Gustav Meyrink, in Der Golem (1915), shares Kafka's interest in concretised metaphor, but also explores the dream's associations with occult practices, used as a defence against the threatening claims of science. Finally, Arthur Schnitzler's literary dreams offer a direct confrontation with psychoanalysis and a dismantling of nineteenth-century ideals of gender and bourgeois love. Overall, it is argued that the literary dreams by these authors hold varied responses to fragmentation of the Ich in the face of psychological 'vivisection', theories of relativity, and the collapse of old social orders. The dream, as a nightly 'psychosis', crystallised the pervasive fears of self-loss during this period; however, in its perennial role as micro-narrative, it also provided a site for re-construction of the subject. The incorporation of dreams in fictional lives served as a metonymical guide for the integration of un- and subconscious experience overall. E-Thesis German literature.;Comparative literature.;East European studies. 31 12 2011 2011-12-31 COLLEGE NANME Modern Languages, Translation and Interpreting COLLEGE CODE Swansea University Doctoral Ph.D 2018-08-15T10:31:36.1251170 2018-08-02T16:24:29.0881900 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Marya Vrba NULL 1 0042396-02082018162451.pdf 10798104.pdf 2018-08-02T16:24:51.1000000 Output 9872041 application/pdf E-Thesis true 2018-08-02T16:24:51.1000000 false
title The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
spellingShingle The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
Marya Vrba
title_short The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
title_full The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
title_fullStr The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
title_full_unstemmed The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
title_sort The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.
author_id_str_mv bfa00035b6e44e6a020cefaa749d1570
author_id_fullname_str_mv bfa00035b6e44e6a020cefaa749d1570_***_Marya Vrba
author Marya Vrba
author2 Marya Vrba
format E-Thesis
publishDate 2011
institution Swansea University
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
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description This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the inherent dualism of the literary dream and its close relationship with creativity. In Robert Musil's Die Verwirrungen des Zdglings Tdrlefi (1906), the protagonist serves as the model for a new type of self-determining subject who draws on the knowledge of dreams and irrationality. Franz Kafka's texts reveal techniques for integrating the dream into fictional worlds that are already dreamlike through the prevalence of (literalised) metaphor and free association. Gustav Meyrink, in Der Golem (1915), shares Kafka's interest in concretised metaphor, but also explores the dream's associations with occult practices, used as a defence against the threatening claims of science. Finally, Arthur Schnitzler's literary dreams offer a direct confrontation with psychoanalysis and a dismantling of nineteenth-century ideals of gender and bourgeois love. Overall, it is argued that the literary dreams by these authors hold varied responses to fragmentation of the Ich in the face of psychological 'vivisection', theories of relativity, and the collapse of old social orders. The dream, as a nightly 'psychosis', crystallised the pervasive fears of self-loss during this period; however, in its perennial role as micro-narrative, it also provided a site for re-construction of the subject. The incorporation of dreams in fictional lives served as a metonymical guide for the integration of un- and subconscious experience overall.
published_date 2011-12-31T03:52:53Z
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