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Works of art in ancient Greek novels. / Nicolo D'Alconzo

Swansea University Author: Nicolo D'Alconzo

Abstract

This thesis is a study on the use of works of art in Greek novels, based on the idea that the novelists understood it as one of the main features of their job. I recognise a coherent pattern whereby works of art are closely connected to protagonists and plot, which started already with first-century...

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Published: 2015
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
URI: https://cronfa.swan.ac.uk/Record/cronfa42452
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first_indexed 2018-08-02T18:54:44Z
last_indexed 2018-08-03T10:10:11Z
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spelling 2018-08-02T16:24:29.3065948 v2 42452 2018-08-02 Works of art in ancient Greek novels. ead452d53e2f862e982ad44ab51a6d21 NULL Nicolo D'Alconzo Nicolo D'Alconzo true true 2018-08-02 This thesis is a study on the use of works of art in Greek novels, based on the idea that the novelists understood it as one of the main features of their job. I recognise a coherent pattern whereby works of art are closely connected to protagonists and plot, which started already with first-century novels and continued throughout. Chapter One explores rhetorical theory of ekphrasis in order to provide technical information on it as well as to reassess the notion that descriptions of paintings in novels were entirely dependent on rhetoric. Chapter Two starts the analysis of the feature of works of art in the genre by examining Chariton and Xenophon of Ephesus, and by making some considerations on the Ninus romance as well. It shows that works of had a relevant role before the introduction of ekphrasis of paintings, and also that novelists showed a tendency to employ, and innovate on, the ideas of their predecessors. Through close textual analysis of the relevant passages. Chapter Three details how Achilles Tatius composed the ekphraseis of paintings from literary as well as figurative models, and shows how he explored their potential by experimenting on the connection between description and narration. In an appendix, it also examines a possible connection between Achilles Tatius and Lucian. I see Achilles Tatius' descriptions as a prelude to the reflection on the nature of ekphrasis of paintings that can be found in Longus, mostly in the prologue of his novel. Chapter Four is dedicated to this, and connects it to the development of ekphrasis of paintings as an autonomous genre in the third century. Finally, Chapter Five considers Heliodorus as the recipient of this tradition, by looking closely at how he used the story of the birth of his heroine, who is born from a painting, to talk about the birth of his novel. The novelists became progressively aware that art was the expedient through which they could talk about the nature of their work. E-Thesis Classical literature.;Art history. 31 12 2015 2015-12-31 COLLEGE NANME History COLLEGE CODE Swansea University Doctoral Ph.D 2018-08-02T16:24:29.3065948 2018-08-02T16:24:29.3065948 Faculty of Humanities and Social Sciences School of Culture and Communication - History Nicolo D'Alconzo NULL 1 0042452-02082018162455.pdf 10798160.pdf 2018-08-02T16:24:55.5470000 Output 13093092 application/pdf E-Thesis true 2018-08-02T16:24:55.5470000 false
title Works of art in ancient Greek novels.
spellingShingle Works of art in ancient Greek novels.
Nicolo D'Alconzo
title_short Works of art in ancient Greek novels.
title_full Works of art in ancient Greek novels.
title_fullStr Works of art in ancient Greek novels.
title_full_unstemmed Works of art in ancient Greek novels.
title_sort Works of art in ancient Greek novels.
author_id_str_mv ead452d53e2f862e982ad44ab51a6d21
author_id_fullname_str_mv ead452d53e2f862e982ad44ab51a6d21_***_Nicolo D'Alconzo
author Nicolo D'Alconzo
author2 Nicolo D'Alconzo
format E-Thesis
publishDate 2015
institution Swansea University
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - History{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - History
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description This thesis is a study on the use of works of art in Greek novels, based on the idea that the novelists understood it as one of the main features of their job. I recognise a coherent pattern whereby works of art are closely connected to protagonists and plot, which started already with first-century novels and continued throughout. Chapter One explores rhetorical theory of ekphrasis in order to provide technical information on it as well as to reassess the notion that descriptions of paintings in novels were entirely dependent on rhetoric. Chapter Two starts the analysis of the feature of works of art in the genre by examining Chariton and Xenophon of Ephesus, and by making some considerations on the Ninus romance as well. It shows that works of had a relevant role before the introduction of ekphrasis of paintings, and also that novelists showed a tendency to employ, and innovate on, the ideas of their predecessors. Through close textual analysis of the relevant passages. Chapter Three details how Achilles Tatius composed the ekphraseis of paintings from literary as well as figurative models, and shows how he explored their potential by experimenting on the connection between description and narration. In an appendix, it also examines a possible connection between Achilles Tatius and Lucian. I see Achilles Tatius' descriptions as a prelude to the reflection on the nature of ekphrasis of paintings that can be found in Longus, mostly in the prologue of his novel. Chapter Four is dedicated to this, and connects it to the development of ekphrasis of paintings as an autonomous genre in the third century. Finally, Chapter Five considers Heliodorus as the recipient of this tradition, by looking closely at how he used the story of the birth of his heroine, who is born from a painting, to talk about the birth of his novel. The novelists became progressively aware that art was the expedient through which they could talk about the nature of their work.
published_date 2015-12-31T03:52:59Z
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score 11.016347

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