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The City's Hostile Bodies: Coriolanus's Rome and Carson's Belfast

Nicholas Taylor-Collins Orcid Logo, Nicholas Taylor-Collins Orcid Logo

The Modern Language Review, Volume: 115, Issue: 1, Start page: 17

Swansea University Authors: Nicholas Taylor-Collins Orcid Logo, Nicholas Taylor-Collins Orcid Logo

Abstract

When change is articulated in literary cities as diverse as Coriolanus’ (1608) early republican Rome and Ciaran Carson’s Troubles Belfast in Belfast Confetti (1989), bodies become the agents of that change. These bodies-at-war induce stasis: a civil war in which the domestic is politicised and the p...

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Published in: The Modern Language Review
ISSN: 0026-7937
Published: Modern Humanities Research Association 2020
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa48751
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Abstract: When change is articulated in literary cities as diverse as Coriolanus’ (1608) early republican Rome and Ciaran Carson’s Troubles Belfast in Belfast Confetti (1989), bodies become the agents of that change. These bodies-at-war induce stasis: a civil war in which the domestic is politicised and the political domesticated. To resolve the violence at the heart of these evolving polities, these hostile bodies claim sovereignty over the city – whether Shakespeare’s plebeians or Coriolanus; Carson’s unionists or nationalists. Both texts employ the paradoxical logic of hospitality to resolve the antagonisms, realising the divided, yet fully-functioning cities in which hosts hospitably contest with other hosts, and in which bodies underpin the political (r)evolutions.
Keywords: William Shakespeare, 'Coriolanus', Ciaran Carson, 'Belfast Confetti', body/bodies, Rome, Belfast, Troubles, stasis, hospitality
College: Faculty of Humanities and Social Sciences
Issue: 1
Start Page: 17