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'"The Lyric a Form / Of Shame Management"?'

John Goodby

Shame and Modern Writing, eds. Barry Sheils and Julie Walsh, Volume: 1, Issue: 1, Pages: 156 - 164

Swansea University Author: John Goodby

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Abstract

About my experience as a practising poet, using shame theory (T. J. Scheff and S. M. Retzinger's essay, 'Shame as the \Master Emotion of Everyday Life' [2000]) and the literary tradition of writing about eroticism, embarrassment and shame (Ovid Gallus, Catullus, Shakespeare, Golding,...

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Published in: Shame and Modern Writing, eds. Barry Sheils and Julie Walsh
ISSN: 978-1-138-06727-1
Published: Padstow Routledge 2018
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URI: https://cronfa.swan.ac.uk/Record/cronfa49123
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last_indexed 2019-09-27T20:11:55Z
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spelling 2019-09-27T16:49:28.0404294 v2 49123 2019-03-05 '"The Lyric a Form / Of Shame Management"?' a342893822b30da6f736641802def9ab John Goodby John Goodby true false 2019-03-05 About my experience as a practising poet, using shame theory (T. J. Scheff and S. M. Retzinger's essay, 'Shame as the \Master Emotion of Everyday Life' [2000]) and the literary tradition of writing about eroticism, embarrassment and shame (Ovid Gallus, Catullus, Shakespeare, Golding, Dylan Thomas, John Keats, James Joyce, Enid Blyton, etc.) in writing a sequence of cut-up sonnets (modelled on Ted Berrigan's The Sonnets [1964]) titled Illennium (Shearsman, 2010). The brief chapter - it's only nine pages long, with just one footnote - analyses the way in which shame theory and 'the fractured facturedness' of Berrigan's sequence provided a formal model and critical permission to deal with the shame-full aftermath of a romantic friendship, and also, more generally, made possible a tentative theorisation of the lyric genre, historically speaking, as a kind of 'shame management'. Three sonnets of the 72 are included in the chapter and close read in some detail. Book chapter Shame and Modern Writing, eds. Barry Sheils and Julie Walsh 1 1 156 164 Routledge Padstow 978-1-138-06727-1 Shame, embarrassment, love, lyric, Ted Berrigan, sonnet, Denise Riley, linguistic guilt, John Keats, Dylan Thomas, Illennium, John Goodby 27 3 2018 2018-03-27 COLLEGE NANME COLLEGE CODE Swansea University 2019-09-27T16:49:28.0404294 2019-03-05T16:38:50.3350613 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing John Goodby 1
title '"The Lyric a Form / Of Shame Management"?'
spellingShingle '"The Lyric a Form / Of Shame Management"?'
John Goodby
title_short '"The Lyric a Form / Of Shame Management"?'
title_full '"The Lyric a Form / Of Shame Management"?'
title_fullStr '"The Lyric a Form / Of Shame Management"?'
title_full_unstemmed '"The Lyric a Form / Of Shame Management"?'
title_sort '"The Lyric a Form / Of Shame Management"?'
author_id_str_mv a342893822b30da6f736641802def9ab
author_id_fullname_str_mv a342893822b30da6f736641802def9ab_***_John Goodby
author John Goodby
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description About my experience as a practising poet, using shame theory (T. J. Scheff and S. M. Retzinger's essay, 'Shame as the \Master Emotion of Everyday Life' [2000]) and the literary tradition of writing about eroticism, embarrassment and shame (Ovid Gallus, Catullus, Shakespeare, Golding, Dylan Thomas, John Keats, James Joyce, Enid Blyton, etc.) in writing a sequence of cut-up sonnets (modelled on Ted Berrigan's The Sonnets [1964]) titled Illennium (Shearsman, 2010). The brief chapter - it's only nine pages long, with just one footnote - analyses the way in which shame theory and 'the fractured facturedness' of Berrigan's sequence provided a formal model and critical permission to deal with the shame-full aftermath of a romantic friendship, and also, more generally, made possible a tentative theorisation of the lyric genre, historically speaking, as a kind of 'shame management'. Three sonnets of the 72 are included in the chapter and close read in some detail.
published_date 2018-03-27T07:45:09Z
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