Journal article 909 views 836 downloads
Feeling “Brexit”: Nationalism and the Affective Politics of Movement
GeoHumanities, Pages: 1 - 19
Swansea University Author:
Angharad Closs Stephens
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DOI (Published version): 10.1080/2373566X.2019.1620623
Abstract
This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that...
Published in: | GeoHumanities |
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ISSN: | 2373-566X 2373-5678 |
Published: |
Taylor and Francis
2019
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URI: | https://cronfa.swan.ac.uk/Record/cronfa50120 |
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2020-06-16T15:30:55.9655881 v2 50120 2019-04-30 Feeling “Brexit”: Nationalism and the Affective Politics of Movement b949e66c7338fbd3f328eaf5b3f944a1 0000-0002-7765-7276 Angharad Closs Stephens Angharad Closs Stephens true false 2019-04-30 SGE This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that engaging affect does in the context of ‘Brexit’: as an invitation to address heightened political feelings and also, as an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities. Overall, the article develops ways of thinking and acting politically that defy the closures of nationalist populism. Journal Article GeoHumanities 1 19 Taylor and Francis 2373-566X 2373-5678 Affect. Nation. Shame. Brexit. The People. Movement. 31 12 2019 2019-12-31 10.1080/2373566X.2019.1620623 COLLEGE NANME Geography COLLEGE CODE SGE Swansea University 2020-06-16T15:30:55.9655881 2019-04-30T11:08:40.1483318 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Angharad Closs Stephens 0000-0002-7765-7276 1 50120__13938__8e51ceed10154be2ad8feb4924255ed0.pdf Feeling_‘Brexit’_Final_for_upload_May212019.docx 2019-05-21T21:38:26.3300000 Output 82722 application/vnd.openxmlformats-officedocument.wordprocessingml.document Accepted Manuscript true 2019-05-21T00:00:00.0000000 true eng 0050120-27052019155337.pdf 50120.1.pdf 2019-05-27T15:53:37.1170000 Output 349652 application/pdf Accepted Manuscript true 2021-01-09T00:00:00.0000000 true eng |
title |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
spellingShingle |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement Angharad Closs Stephens |
title_short |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
title_full |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
title_fullStr |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
title_full_unstemmed |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
title_sort |
Feeling “Brexit”: Nationalism and the Affective Politics of Movement |
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b949e66c7338fbd3f328eaf5b3f944a1_***_Angharad Closs Stephens |
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Angharad Closs Stephens |
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Angharad Closs Stephens |
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Swansea University |
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10.1080/2373566X.2019.1620623 |
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Taylor and Francis |
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description |
This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that engaging affect does in the context of ‘Brexit’: as an invitation to address heightened political feelings and also, as an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities. Overall, the article develops ways of thinking and acting politically that defy the closures of nationalist populism. |
published_date |
2019-12-31T04:01:27Z |
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1763753158158319616 |
score |
11.021648 |