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Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)

Julian Preece Orcid Logo

Oxford German Studies, Volume: 48, Issue: 3, Pages: 391 - 403

Swansea University Author: Julian Preece Orcid Logo

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DOI (Published version): 10.1080/00787191.2019.1664171

Abstract

Grass’s depiction of Jewish characters becomes more abstract after Die Blechtrommel, corresponding in fact with schema outlined by Sartre in a key essay on anti-Semitism and constructions of Jewishness, which was re-issued in German translation in 1960. The possible influence of Sartre’s thought on...

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Published in: Oxford German Studies
ISSN: 0078-7191 1745-9214
Published: Informa UK Limited 2019
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URI: https://cronfa.swan.ac.uk/Record/cronfa52598
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spelling 2020-12-14T12:25:25.6908381 v2 52598 2019-10-29 Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002) 6cf10f340b4335c30856d022675b34b2 0000-0002-8887-740X Julian Preece Julian Preece true false 2019-10-29 AMOD Grass’s depiction of Jewish characters becomes more abstract after Die Blechtrommel, corresponding in fact with schema outlined by Sartre in a key essay on anti-Semitism and constructions of Jewishness, which was re-issued in German translation in 1960. The possible influence of Sartre’s thought on Grass may have been overlooked in research because Grass championed Camus at Sartre’s expense, presenting the pair as opposite types. Arguably, Grass did this for strategic reasons as he first reacted against his senior French counterpart and they played similar public roles in their respective countries up to Sartre’s death in 1980. Both visited Israel, for example, for the first time in March 1967. In Grass’s fiction, Albrecht and Eddi Amsel in Hundejahre, Hermann Ott in Aus dem Tagebuch einer Schnecke, the rats in Die Rättin, and Wolfgang Stremplin in Im Krebsgang can all be understood in terms presented and popularized by Sartre Journal Article Oxford German Studies 48 3 391 403 Informa UK Limited 0078-7191 1745-9214 anti-Semitism, inauthentic Jew, constructions of Jewishness, Franco-German literary relations, translation 28 10 2019 2019-10-28 10.1080/00787191.2019.1664171 COLLEGE NANME Modern Languages COLLEGE CODE AMOD Swansea University 2020-12-14T12:25:25.6908381 2019-10-29T07:44:36.1808051 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Julian Preece 0000-0002-8887-740X 1 52598__15974__3b81b7fee81a47a48210a53e02be9de4.pdf 52598.pdf 2019-11-26T17:10:10.5451952 Output 167239 application/pdf Accepted Manuscript true 2021-04-28T00:00:00.0000000 true eng
title Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
spellingShingle Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
Julian Preece
title_short Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
title_full Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
title_fullStr Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
title_full_unstemmed Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
title_sort Jean-Paul Sartre’s Réflexions Sur La Question Juive (1946) as Blueprint for Grass’s Jewish Figures: From Hundejahre (1963) to Im Krebsgang (2002)
author_id_str_mv 6cf10f340b4335c30856d022675b34b2
author_id_fullname_str_mv 6cf10f340b4335c30856d022675b34b2_***_Julian Preece
author Julian Preece
author2 Julian Preece
format Journal article
container_title Oxford German Studies
container_volume 48
container_issue 3
container_start_page 391
publishDate 2019
institution Swansea University
issn 0078-7191
1745-9214
doi_str_mv 10.1080/00787191.2019.1664171
publisher Informa UK Limited
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hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
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description Grass’s depiction of Jewish characters becomes more abstract after Die Blechtrommel, corresponding in fact with schema outlined by Sartre in a key essay on anti-Semitism and constructions of Jewishness, which was re-issued in German translation in 1960. The possible influence of Sartre’s thought on Grass may have been overlooked in research because Grass championed Camus at Sartre’s expense, presenting the pair as opposite types. Arguably, Grass did this for strategic reasons as he first reacted against his senior French counterpart and they played similar public roles in their respective countries up to Sartre’s death in 1980. Both visited Israel, for example, for the first time in March 1967. In Grass’s fiction, Albrecht and Eddi Amsel in Hundejahre, Hermann Ott in Aus dem Tagebuch einer Schnecke, the rats in Die Rättin, and Wolfgang Stremplin in Im Krebsgang can all be understood in terms presented and popularized by Sartre
published_date 2019-10-28T04:05:03Z
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score 10.999161

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