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Umstrittene Stadt: Das Wienbild Veza Canettis

Julian Preece Orcid Logo

Oxford German Studies, Volume: 50, Issue: 1, Pages: 47 - 56

Swansea University Author: Julian Preece Orcid Logo

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DOI (Published version): 10.1080/00787191.2021.1891789

Abstract

Vienna is the location for most of Veza Canetti’s stories and plays but, just as in the Viennese works of her husband Elias Canetti, it is rarely if at all mentioned by name, a literary technique which underscores the city’s intimidating presence. City landmarks restrict the behaviour of her working...

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Published in: Oxford German Studies
ISSN: 0078-7191 1745-9214
Published: Abingdon Informa UK Limited 2021
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URI: https://cronfa.swan.ac.uk/Record/cronfa56342
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first_indexed 2021-02-27T14:59:08Z
last_indexed 2023-02-11T04:04:56Z
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spelling 2023-02-10T16:19:47.0651118 v2 56342 2021-02-27 Umstrittene Stadt: Das Wienbild Veza Canettis 6cf10f340b4335c30856d022675b34b2 0000-0002-8887-740X Julian Preece Julian Preece true false 2021-02-27 AMOD Vienna is the location for most of Veza Canetti’s stories and plays but, just as in the Viennese works of her husband Elias Canetti, it is rarely if at all mentioned by name, a literary technique which underscores the city’s intimidating presence. City landmarks restrict the behaviour of her working-class characters who feel themselves excluded. They have often moved to Vienna from elsewhere and are not properly accepted. Motifs of arrival and departure occur so frequently in her writing. Even the violent behaviour of Herr Iger in ‘Der Oger’ can be explained by his insecure status. After the Workers‘ Uprising of February 1934 Vienna becomes a tabu subject. Only in exile after 1938 does once again address the city of her birth which has now become enemy territory. Journal Article Oxford German Studies 50 1 47 56 Informa UK Limited Abingdon 0078-7191 1745-9214 Migration; Heimat; Zugehörigkeit; Fremdsein; Ankunft; Verlassen; Großstadtliteratur; Migration; Belonging; Non-acceptance; Arrival; Departure; City literature 24 5 2021 2021-05-24 10.1080/00787191.2021.1891789 COLLEGE NANME Modern Languages COLLEGE CODE AMOD Swansea University 2023-02-10T16:19:47.0651118 2021-02-27T14:44:48.3282841 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Julian Preece 0000-0002-8887-740X 1 56342__19438__d14ecfe9f9094825b353b885141aadf4.pdf 56342.pdf 2021-03-05T15:45:08.5702305 Output 98376 application/pdf Accepted Manuscript true 2022-11-24T00:00:00.0000000 Released under the terms of a Creative Commons Attribution Non-Commercial License (CC-BY-NC). true ger
title Umstrittene Stadt: Das Wienbild Veza Canettis
spellingShingle Umstrittene Stadt: Das Wienbild Veza Canettis
Julian Preece
title_short Umstrittene Stadt: Das Wienbild Veza Canettis
title_full Umstrittene Stadt: Das Wienbild Veza Canettis
title_fullStr Umstrittene Stadt: Das Wienbild Veza Canettis
title_full_unstemmed Umstrittene Stadt: Das Wienbild Veza Canettis
title_sort Umstrittene Stadt: Das Wienbild Veza Canettis
author_id_str_mv 6cf10f340b4335c30856d022675b34b2
author_id_fullname_str_mv 6cf10f340b4335c30856d022675b34b2_***_Julian Preece
author Julian Preece
author2 Julian Preece
format Journal article
container_title Oxford German Studies
container_volume 50
container_issue 1
container_start_page 47
publishDate 2021
institution Swansea University
issn 0078-7191
1745-9214
doi_str_mv 10.1080/00787191.2021.1891789
publisher Informa UK Limited
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
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description Vienna is the location for most of Veza Canetti’s stories and plays but, just as in the Viennese works of her husband Elias Canetti, it is rarely if at all mentioned by name, a literary technique which underscores the city’s intimidating presence. City landmarks restrict the behaviour of her working-class characters who feel themselves excluded. They have often moved to Vienna from elsewhere and are not properly accepted. Motifs of arrival and departure occur so frequently in her writing. Even the violent behaviour of Herr Iger in ‘Der Oger’ can be explained by his insecure status. After the Workers‘ Uprising of February 1934 Vienna becomes a tabu subject. Only in exile after 1938 does once again address the city of her birth which has now become enemy territory.
published_date 2021-05-24T04:11:13Z
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score 11.012678

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