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Playing in the water: an exquisite corpse and found river and underwater poems

Stephanie Januchowski-Hartley, Daphne Giannoulatou Orcid Logo, Asha Sahni

cultural geographies, Volume: 29, Issue: 1, Start page: 147447402110398

Swansea University Authors: Stephanie Januchowski-Hartley, Daphne Giannoulatou Orcid Logo

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DOI (Published version): 10.1177/14744740211039827

Abstract

This article shares and reflects on Underwater Haiku Exquisite Corpse – a playful approach to writing and enquiry about rivers and their underwater environments. The Underwater Haiku Exquisite Corpse was an adaptation of the Surrealist exquisite corpse concept – a collaborative game in which each pa...

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Published in: cultural geographies
ISSN: 1474-4740 1477-0881
Published: SAGE Publications 2021
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URI: https://cronfa.swan.ac.uk/Record/cronfa57744
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first_indexed 2021-09-22T15:15:40Z
last_indexed 2022-01-06T04:24:29Z
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spelling 2022-01-05T13:51:03.3212879 v2 57744 2021-09-01 Playing in the water: an exquisite corpse and found river and underwater poems b634c6a9429ed84ced10e9033d27659d Stephanie Januchowski-Hartley Stephanie Januchowski-Hartley true false 073f2fd6d1fa87a05fa4cb955c6c2017 0000-0003-4882-5653 Daphne Giannoulatou Daphne Giannoulatou true false 2021-09-01 FGSEN This article shares and reflects on Underwater Haiku Exquisite Corpse – a playful approach to writing and enquiry about rivers and their underwater environments. The Underwater Haiku Exquisite Corpse was an adaptation of the Surrealist exquisite corpse concept – a collaborative game in which each participant wrote or drew in response to a prompt and kept their contribution concealed until the end, when the full corpse was revealed to all contributors. We consider how our approach to exquisite corpse fostered playful co-creation and community and contributed to better understanding people’s experiences with and intuitive responses to river environments. This article blends academic writing and found poems (existing words or phrases reframed into a poem) from Underwater Haiku Exquisite Corpse, in response to calls for more creative and entangled ways to write about the world. We applied this technique, using lines of text by different Underwater Haiku Exquisite Corpse contributors and reordering lines into poems that illustrated how contributors intertwined notions of humans, rivers, and what lies below the surface. We hope that by sharing our experiences with the Underwater Haiku Exquisite Corpse, we encourage more playful approaches to geopoetics, to foster conversations across disciplines, as well as within and outside the academy. Journal Article cultural geographies 29 1 147447402110398 SAGE Publications 1474-4740 1477-0881 Environmental Science (miscellaneous), Cultural Studies, Geography, Planning and Development 23 8 2021 2021-08-23 10.1177/14744740211039827 COLLEGE NANME Science and Engineering - Faculty COLLEGE CODE FGSEN Swansea University 2022-01-05T13:51:03.3212879 2021-09-01T15:36:57.9847325 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Stephanie Januchowski-Hartley 1 Daphne Giannoulatou 0000-0003-4882-5653 2 Asha Sahni 3 57744__20969__1a18c78e1374437aab49a742fb4b873a.pdf 57744.pdf 2021-09-22T16:15:27.6067205 Output 939472 application/pdf Version of Record true This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License true eng https://creativecommons.org/licenses/by-nc/4.0/
title Playing in the water: an exquisite corpse and found river and underwater poems
spellingShingle Playing in the water: an exquisite corpse and found river and underwater poems
Stephanie Januchowski-Hartley
Daphne Giannoulatou
title_short Playing in the water: an exquisite corpse and found river and underwater poems
title_full Playing in the water: an exquisite corpse and found river and underwater poems
title_fullStr Playing in the water: an exquisite corpse and found river and underwater poems
title_full_unstemmed Playing in the water: an exquisite corpse and found river and underwater poems
title_sort Playing in the water: an exquisite corpse and found river and underwater poems
author_id_str_mv b634c6a9429ed84ced10e9033d27659d
073f2fd6d1fa87a05fa4cb955c6c2017
author_id_fullname_str_mv b634c6a9429ed84ced10e9033d27659d_***_Stephanie Januchowski-Hartley
073f2fd6d1fa87a05fa4cb955c6c2017_***_Daphne Giannoulatou
author Stephanie Januchowski-Hartley
Daphne Giannoulatou
author2 Stephanie Januchowski-Hartley
Daphne Giannoulatou
Asha Sahni
format Journal article
container_title cultural geographies
container_volume 29
container_issue 1
container_start_page 147447402110398
publishDate 2021
institution Swansea University
issn 1474-4740
1477-0881
doi_str_mv 10.1177/14744740211039827
publisher SAGE Publications
college_str Faculty of Science and Engineering
hierarchytype
hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
document_store_str 1
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description This article shares and reflects on Underwater Haiku Exquisite Corpse – a playful approach to writing and enquiry about rivers and their underwater environments. The Underwater Haiku Exquisite Corpse was an adaptation of the Surrealist exquisite corpse concept – a collaborative game in which each participant wrote or drew in response to a prompt and kept their contribution concealed until the end, when the full corpse was revealed to all contributors. We consider how our approach to exquisite corpse fostered playful co-creation and community and contributed to better understanding people’s experiences with and intuitive responses to river environments. This article blends academic writing and found poems (existing words or phrases reframed into a poem) from Underwater Haiku Exquisite Corpse, in response to calls for more creative and entangled ways to write about the world. We applied this technique, using lines of text by different Underwater Haiku Exquisite Corpse contributors and reordering lines into poems that illustrated how contributors intertwined notions of humans, rivers, and what lies below the surface. We hope that by sharing our experiences with the Underwater Haiku Exquisite Corpse, we encourage more playful approaches to geopoetics, to foster conversations across disciplines, as well as within and outside the academy.
published_date 2021-08-23T04:13:42Z
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score 11.012678

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