No Cover Image

Journal article 423 views

The contemporary problem of style

Richard Robinson Orcid Logo, Barry Sheils

Textual Practice, Volume: 36, Issue: 4, Pages: 473 - 500

Swansea University Author: Richard Robinson Orcid Logo

Full text not available from this repository: check for access using links below.

Check full text

DOI (Published version): 10.1080/0950236x.2022.2030510

Abstract

This essay sets the parameters of this special issue on the contemporary problem of style. Noting that the critical term style has returned to discursive prominence in recent years, this introduction explores the peculiarity of its status in literary studies. Asking how style underlies critical prac...

Full description

Published in: Textual Practice
ISSN: 0950-236X 1470-1308
Published: Informa UK Limited 2022
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa59153
Tags: Add Tag
No Tags, Be the first to tag this record!
first_indexed 2022-01-11T17:10:37Z
last_indexed 2022-04-30T03:29:36Z
id cronfa59153
recordtype SURis
fullrecord <?xml version="1.0"?><rfc1807><datestamp>2022-04-29T17:15:14.1607461</datestamp><bib-version>v2</bib-version><id>59153</id><entry>2022-01-11</entry><title>The contemporary problem of style</title><swanseaauthors><author><sid>dd0360f678f81621c96a94dae0e1c2b3</sid><ORCID>0000-0003-2097-1931</ORCID><firstname>Richard</firstname><surname>Robinson</surname><name>Richard Robinson</name><active>true</active><ethesisStudent>false</ethesisStudent></author></swanseaauthors><date>2022-01-11</date><deptcode>AELC</deptcode><abstract>This essay sets the parameters of this special issue on the contemporary problem of style. Noting that the critical term style has returned to discursive prominence in recent years, this introduction explores the peculiarity of its status in literary studies. Asking how style underlies critical practice today, we track the partially conflicting genealogies of style and the variety of its disciplinary relations. We explore the problem of style now: in its modernist inheritances; its association to class and nationality, especially Englishness; its reconfiguration through world Englishes and the global novel; its coupling with new aestheticism and new formalism; its recasting as a problem of receptivity and attachment in the era of &#x2018;post-critique&#x2019;; its intimate connection to shame, affect and embodiment (given especial impetus by critical race theory and sexuality studies); and its persistent association with subcultures and the scandalous pleasures of &#x2018;lifestyle&#x2019;.</abstract><type>Journal Article</type><journal>Textual Practice</journal><volume>36</volume><journalNumber>4</journalNumber><paginationStart>473</paginationStart><paginationEnd>500</paginationEnd><publisher>Informa UK Limited</publisher><placeOfPublication/><isbnPrint/><isbnElectronic/><issnPrint>0950-236X</issnPrint><issnElectronic>1470-1308</issnElectronic><keywords>new formalism; new aestheticism; modernism; weird English; stylistics; post-critique; shame</keywords><publishedDay>3</publishedDay><publishedMonth>4</publishedMonth><publishedYear>2022</publishedYear><publishedDate>2022-04-03</publishedDate><doi>10.1080/0950236x.2022.2030510</doi><url/><notes/><college>COLLEGE NANME</college><department>English Literature</department><CollegeCode>COLLEGE CODE</CollegeCode><DepartmentCode>AELC</DepartmentCode><institution>Swansea University</institution><apcterm/><lastEdited>2022-04-29T17:15:14.1607461</lastEdited><Created>2022-01-11T17:06:02.1650993</Created><path><level id="1">Faculty of Humanities and Social Sciences</level><level id="2">School of Culture and Communication - Media, Communications, Journalism and PR</level></path><authors><author><firstname>Richard</firstname><surname>Robinson</surname><orcid>0000-0003-2097-1931</orcid><order>1</order></author><author><firstname>Barry</firstname><surname>Sheils</surname><order>2</order></author></authors><documents><document><filename>Under embargo</filename><originalFilename>Under embargo</originalFilename><uploaded>2022-01-18T14:46:23.1822918</uploaded><type>Output</type><contentLength>227494</contentLength><contentType>application/pdf</contentType><version>Accepted Manuscript</version><cronfaStatus>true</cronfaStatus><embargoDate>2023-10-08T00:00:00.0000000</embargoDate><documentNotes>Released under the terms of a CC-BY-NC license.</documentNotes><copyrightCorrect>true</copyrightCorrect><language>eng</language><licence>https://creativecommons.org/licenses/by-nc/4.0/</licence></document></documents><OutputDurs/></rfc1807>
spelling 2022-04-29T17:15:14.1607461 v2 59153 2022-01-11 The contemporary problem of style dd0360f678f81621c96a94dae0e1c2b3 0000-0003-2097-1931 Richard Robinson Richard Robinson true false 2022-01-11 AELC This essay sets the parameters of this special issue on the contemporary problem of style. Noting that the critical term style has returned to discursive prominence in recent years, this introduction explores the peculiarity of its status in literary studies. Asking how style underlies critical practice today, we track the partially conflicting genealogies of style and the variety of its disciplinary relations. We explore the problem of style now: in its modernist inheritances; its association to class and nationality, especially Englishness; its reconfiguration through world Englishes and the global novel; its coupling with new aestheticism and new formalism; its recasting as a problem of receptivity and attachment in the era of ‘post-critique’; its intimate connection to shame, affect and embodiment (given especial impetus by critical race theory and sexuality studies); and its persistent association with subcultures and the scandalous pleasures of ‘lifestyle’. Journal Article Textual Practice 36 4 473 500 Informa UK Limited 0950-236X 1470-1308 new formalism; new aestheticism; modernism; weird English; stylistics; post-critique; shame 3 4 2022 2022-04-03 10.1080/0950236x.2022.2030510 COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2022-04-29T17:15:14.1607461 2022-01-11T17:06:02.1650993 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Richard Robinson 0000-0003-2097-1931 1 Barry Sheils 2 Under embargo Under embargo 2022-01-18T14:46:23.1822918 Output 227494 application/pdf Accepted Manuscript true 2023-10-08T00:00:00.0000000 Released under the terms of a CC-BY-NC license. true eng https://creativecommons.org/licenses/by-nc/4.0/
title The contemporary problem of style
spellingShingle The contemporary problem of style
Richard Robinson
title_short The contemporary problem of style
title_full The contemporary problem of style
title_fullStr The contemporary problem of style
title_full_unstemmed The contemporary problem of style
title_sort The contemporary problem of style
author_id_str_mv dd0360f678f81621c96a94dae0e1c2b3
author_id_fullname_str_mv dd0360f678f81621c96a94dae0e1c2b3_***_Richard Robinson
author Richard Robinson
author2 Richard Robinson
Barry Sheils
format Journal article
container_title Textual Practice
container_volume 36
container_issue 4
container_start_page 473
publishDate 2022
institution Swansea University
issn 0950-236X
1470-1308
doi_str_mv 10.1080/0950236x.2022.2030510
publisher Informa UK Limited
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR
document_store_str 0
active_str 0
description This essay sets the parameters of this special issue on the contemporary problem of style. Noting that the critical term style has returned to discursive prominence in recent years, this introduction explores the peculiarity of its status in literary studies. Asking how style underlies critical practice today, we track the partially conflicting genealogies of style and the variety of its disciplinary relations. We explore the problem of style now: in its modernist inheritances; its association to class and nationality, especially Englishness; its reconfiguration through world Englishes and the global novel; its coupling with new aestheticism and new formalism; its recasting as a problem of receptivity and attachment in the era of ‘post-critique’; its intimate connection to shame, affect and embodiment (given especial impetus by critical race theory and sexuality studies); and its persistent association with subcultures and the scandalous pleasures of ‘lifestyle’.
published_date 2022-04-03T04:16:14Z
_version_ 1763754088379449344
score 11.012678

Similar Items