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Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations
Playing and Playgoing in Early Modern England, Pages: 161 - 180
Swansea University Author: Eoin Price
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DOI (Published version): 10.1017/9781108773775.011
Abstract
Standard theatre history accounts tend to assume that plays were received in the order in which they were first performed, but playgoers were not bound to watch plays chronologically. Considering Marlowe’s influential Tamburlaine plays, the chapter asks what happens when playgoers watch plays out of...
Published in: | Playing and Playgoing in Early Modern England |
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ISBN: | 9781108773775 |
Published: |
Cambridge
Cambridge University Press
2022
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URI: | https://cronfa.swan.ac.uk/Record/cronfa59700 |
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2022-11-23T17:15:35.8318862 v2 59700 2022-03-23 Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations 5eede959b07e4a7b96cab66816cd8a8f 0000-0001-9546-9183 Eoin Price Eoin Price true false 2022-03-23 AELC Standard theatre history accounts tend to assume that plays were received in the order in which they were first performed, but playgoers were not bound to watch plays chronologically. Considering Marlowe’s influential Tamburlaine plays, the chapter asks what happens when playgoers watch plays out of the expected order. While there is clear evidence that Tamburlaine had cultural cachet at this time, it does not follow, as is generally assumed, that all audience members would have encountered Tamburlaine before other, related plays. Book chapter Playing and Playgoing in Early Modern England 161 180 Cambridge University Press Cambridge 9781108773775 Early modern drama, performance, Marlowe, chronology 10 3 2022 2022-03-10 10.1017/9781108773775.011 COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University Not Required 2022-11-23T17:15:35.8318862 2022-03-23T22:52:56.5680426 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Eoin Price 0000-0001-9546-9183 1 |
title |
Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
spellingShingle |
Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations Eoin Price |
title_short |
Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
title_full |
Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
title_fullStr |
Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
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Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
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Early Modern Drama Out of Order: Chronology, Originality, and Audience Expectations |
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Playing and Playgoing in Early Modern England |
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161 |
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9781108773775 |
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10.1017/9781108773775.011 |
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Cambridge University Press |
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description |
Standard theatre history accounts tend to assume that plays were received in the order in which they were first performed, but playgoers were not bound to watch plays chronologically. Considering Marlowe’s influential Tamburlaine plays, the chapter asks what happens when playgoers watch plays out of the expected order. While there is clear evidence that Tamburlaine had cultural cachet at this time, it does not follow, as is generally assumed, that all audience members would have encountered Tamburlaine before other, related plays. |
published_date |
2022-03-10T04:17:12Z |
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11.016235 |