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Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic

Ian Goh Orcid Logo

Aevum Antiquum, Volume: 21, Pages: 105 - 133

Swansea University Author: Ian Goh Orcid Logo

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Abstract

Tibullus’ sixteen canonical poems owe a debt to Horace’s invective Epodes, sixteen of which are in metres that feature alternating lines. Play and playfulness, in particu- lar roleplay and wordplay, typify the creative dialogue between these poetry collections. This article teases out the links betw...

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Published in: Aevum Antiquum
ISSN: 1121-8932 1827-7861
Published: Università Cattolica del Sacro Cuore 2021
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URI: https://cronfa.swan.ac.uk/Record/cronfa60213
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spelling v2 60213 2022-06-14 Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic 073c563fc5127db1da8d14f2054129b6 0000-0003-2850-553X Ian Goh Ian Goh true false 2022-06-14 CACS Tibullus’ sixteen canonical poems owe a debt to Horace’s invective Epodes, sixteen of which are in metres that feature alternating lines. Play and playfulness, in particu- lar roleplay and wordplay, typify the creative dialogue between these poetry collections. This article teases out the links between Epode 16 and Tibullus II 5, both featuring Sibylline-style prophecy related to Rome and absence from Rome, with an iambic edge to the elegist’s depiction of the Parilia festival, and reminiscences of the etymology of iambic in a focus on magic that also pervades the other Nemesis poems. The poem spoken by Priapus, I 4, also contains iambic elements in the play on the names of the questioner and Tibullus’ own beloved Marathus, the gender politics with an attenuated god and hints of cinaedic activity, and the imagery of dogs. Uncovering such echoes enhances our understanding of the influences and achievements of both poets. Journal Article Aevum Antiquum 21 105 133 Università Cattolica del Sacro Cuore 1121-8932 1827-7861 Tibullus, elegy, Horace, Epodes, invective, iambic, play, metre, roleplay, magic, divinity, Priapus, dogs, etymology, allusion, intertextuality 31 12 2021 2021-12-31 https://aevumantiquum.vitaepensiero.it/scheda-articolo_digital/ian-goh/roleplay-and-wordplay-in-tibullus-the-reverberationof-horatian-iambic-020747_2021_0021_0105-374893.html COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2024-09-04T16:19:19.5742895 2022-06-14T10:49:26.6665901 Faculty of Humanities and Social Sciences School of Culture and Communication - Classics, Ancient History, Egyptology Ian Goh 0000-0003-2850-553X 1
title Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
spellingShingle Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
Ian Goh
title_short Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
title_full Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
title_fullStr Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
title_full_unstemmed Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
title_sort Roleplay and Wordplay in Tibullus: The Reverberation of Horatian Iambic
author_id_str_mv 073c563fc5127db1da8d14f2054129b6
author_id_fullname_str_mv 073c563fc5127db1da8d14f2054129b6_***_Ian Goh
author Ian Goh
author2 Ian Goh
format Journal article
container_title Aevum Antiquum
container_volume 21
container_start_page 105
publishDate 2021
institution Swansea University
issn 1121-8932
1827-7861
publisher Università Cattolica del Sacro Cuore
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Classics, Ancient History, Egyptology{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Classics, Ancient History, Egyptology
url https://aevumantiquum.vitaepensiero.it/scheda-articolo_digital/ian-goh/roleplay-and-wordplay-in-tibullus-the-reverberationof-horatian-iambic-020747_2021_0021_0105-374893.html
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description Tibullus’ sixteen canonical poems owe a debt to Horace’s invective Epodes, sixteen of which are in metres that feature alternating lines. Play and playfulness, in particu- lar roleplay and wordplay, typify the creative dialogue between these poetry collections. This article teases out the links between Epode 16 and Tibullus II 5, both featuring Sibylline-style prophecy related to Rome and absence from Rome, with an iambic edge to the elegist’s depiction of the Parilia festival, and reminiscences of the etymology of iambic in a focus on magic that also pervades the other Nemesis poems. The poem spoken by Priapus, I 4, also contains iambic elements in the play on the names of the questioner and Tibullus’ own beloved Marathus, the gender politics with an attenuated god and hints of cinaedic activity, and the imagery of dogs. Uncovering such echoes enhances our understanding of the influences and achievements of both poets.
published_date 2021-12-31T16:19:17Z
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score 11.035634

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