No Cover Image

Journal article 22236 views 30 downloads

The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities

Lisa Smithstead, Lavinia Brydon

Series - International Journal of TV Serial Narratives, Volume: 3, Issue: 1, Pages: 101 - 114

Swansea University Author: Lisa Smithstead

  • 60749_VoR1.pdf

    PDF | Version of Record

    Copyright (c) 2017 Lavinia Brydon, Lisa Stead. Licensed under a Creative Commons Attribution 3.0 Unported License

    Download (276.35KB)

Abstract

This article considers location filming for heritage dramas in rural England, focusing on the experiences of the communities that “host” television crews during production. The article specifically examines the filming of the 2009 BBC adaptation of Jane Austen’s Emma, for which the historic Kent vil...

Full description

Published in: Series - International Journal of TV Serial Narratives
ISSN: 2421-454X
Published: 2017
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa60749
Tags: Add Tag
No Tags, Be the first to tag this record!
first_indexed 2022-08-05T11:52:28Z
last_indexed 2023-01-13T19:21:06Z
id cronfa60749
recordtype SURis
fullrecord <?xml version="1.0"?><rfc1807><datestamp>2022-08-25T13:58:36.3764266</datestamp><bib-version>v2</bib-version><id>60749</id><entry>2022-08-05</entry><title>The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities</title><swanseaauthors><author><sid>93398d7d636683958868319f391a8260</sid><firstname>Lisa</firstname><surname>Smithstead</surname><name>Lisa Smithstead</name><active>true</active><ethesisStudent>false</ethesisStudent></author></swanseaauthors><date>2022-08-05</date><deptcode>AMED</deptcode><abstract>This article considers location filming for heritage dramas in rural England, focusing on the experiences of the communities that &#x201C;host&#x201D; television crews during production. The article specifically examines the filming of the 2009 BBC adaptation of Jane Austen&#x2019;s Emma, for which the historic Kent village, Chilham, doubled as the fictional Highbury. In doing so, it interrogates two central aspects. First, it illuminates some of the practical issues and economic and cultural impact of location filming for heritage dramas within rural areas. Second, it reflects upon how a community experiences and responds to its status as the host of such a series, considering the impact this has upon questions of identity and heritage. The article draws upon original empirical research, oral history interviews and community archive building conducted within the Chilham community and with Kent Film Office. It explores the memories and experiences of the local population involved in the television location filming process, as both spectators and participants. We thus consider the significance of location from the point of view of those who solicit, resist, profit from, and are caused problems by the temporary transformation of their local space into a television drama shooting space, forging new connections between production practices, location shooting and heritage series and national television/cinema.</abstract><type>Journal Article</type><journal>Series - International Journal of TV Serial Narratives</journal><volume>3</volume><journalNumber>1</journalNumber><paginationStart>101</paginationStart><paginationEnd>114</paginationEnd><publisher/><placeOfPublication/><isbnPrint/><isbnElectronic/><issnPrint/><issnElectronic>2421-454X</issnElectronic><keywords>English village, heritage series, location filming, host community, film-induced tourism</keywords><publishedDay>27</publishedDay><publishedMonth>7</publishedMonth><publishedYear>2017</publishedYear><publishedDate>2017-07-27</publishedDate><doi>10.6092/issn.2421-454X/7149</doi><url>https://series.unibo.it/article/view/7149</url><notes>https://series.unibo.it/article/view/7149</notes><college>COLLEGE NANME</college><department>Media</department><CollegeCode>COLLEGE CODE</CollegeCode><DepartmentCode>AMED</DepartmentCode><institution>Swansea University</institution><apcterm>Another institution paid the OA fee</apcterm><funders/><projectreference/><lastEdited>2022-08-25T13:58:36.3764266</lastEdited><Created>2022-08-05T12:48:03.3672538</Created><path><level id="1">Faculty of Humanities and Social Sciences</level><level id="2">School of Culture and Communication - Media, Communications, Journalism and PR</level></path><authors><author><firstname>Lisa</firstname><surname>Smithstead</surname><order>1</order></author><author><firstname>Lavinia</firstname><surname>Brydon</surname><order>2</order></author></authors><documents><document><filename>60749__25016__a596c2701a79490d918dcab271fae214.pdf</filename><originalFilename>60749_VoR1.pdf</originalFilename><uploaded>2022-08-25T13:54:43.8104831</uploaded><type>Output</type><contentLength>282986</contentLength><contentType>application/pdf</contentType><version>Version of Record</version><cronfaStatus>true</cronfaStatus><documentNotes>Copyright (c) 2017 Lavinia Brydon, Lisa Stead. Licensed under a Creative Commons Attribution 3.0 Unported License</documentNotes><copyrightCorrect>true</copyrightCorrect><language>eng</language><licence>http://creativecommons.org/licenses/by/3.0/</licence></document></documents><OutputDurs/></rfc1807>
spelling 2022-08-25T13:58:36.3764266 v2 60749 2022-08-05 The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities 93398d7d636683958868319f391a8260 Lisa Smithstead Lisa Smithstead true false 2022-08-05 AMED This article considers location filming for heritage dramas in rural England, focusing on the experiences of the communities that “host” television crews during production. The article specifically examines the filming of the 2009 BBC adaptation of Jane Austen’s Emma, for which the historic Kent village, Chilham, doubled as the fictional Highbury. In doing so, it interrogates two central aspects. First, it illuminates some of the practical issues and economic and cultural impact of location filming for heritage dramas within rural areas. Second, it reflects upon how a community experiences and responds to its status as the host of such a series, considering the impact this has upon questions of identity and heritage. The article draws upon original empirical research, oral history interviews and community archive building conducted within the Chilham community and with Kent Film Office. It explores the memories and experiences of the local population involved in the television location filming process, as both spectators and participants. We thus consider the significance of location from the point of view of those who solicit, resist, profit from, and are caused problems by the temporary transformation of their local space into a television drama shooting space, forging new connections between production practices, location shooting and heritage series and national television/cinema. Journal Article Series - International Journal of TV Serial Narratives 3 1 101 114 2421-454X English village, heritage series, location filming, host community, film-induced tourism 27 7 2017 2017-07-27 10.6092/issn.2421-454X/7149 https://series.unibo.it/article/view/7149 https://series.unibo.it/article/view/7149 COLLEGE NANME Media COLLEGE CODE AMED Swansea University Another institution paid the OA fee 2022-08-25T13:58:36.3764266 2022-08-05T12:48:03.3672538 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Lisa Smithstead 1 Lavinia Brydon 2 60749__25016__a596c2701a79490d918dcab271fae214.pdf 60749_VoR1.pdf 2022-08-25T13:54:43.8104831 Output 282986 application/pdf Version of Record true Copyright (c) 2017 Lavinia Brydon, Lisa Stead. Licensed under a Creative Commons Attribution 3.0 Unported License true eng http://creativecommons.org/licenses/by/3.0/
title The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
spellingShingle The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
Lisa Smithstead
title_short The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
title_full The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
title_fullStr The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
title_full_unstemmed The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
title_sort The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
author_id_str_mv 93398d7d636683958868319f391a8260
author_id_fullname_str_mv 93398d7d636683958868319f391a8260_***_Lisa Smithstead
author Lisa Smithstead
author2 Lisa Smithstead
Lavinia Brydon
format Journal article
container_title Series - International Journal of TV Serial Narratives
container_volume 3
container_issue 1
container_start_page 101
publishDate 2017
institution Swansea University
issn 2421-454X
doi_str_mv 10.6092/issn.2421-454X/7149
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR
url https://series.unibo.it/article/view/7149
document_store_str 1
active_str 0
description This article considers location filming for heritage dramas in rural England, focusing on the experiences of the communities that “host” television crews during production. The article specifically examines the filming of the 2009 BBC adaptation of Jane Austen’s Emma, for which the historic Kent village, Chilham, doubled as the fictional Highbury. In doing so, it interrogates two central aspects. First, it illuminates some of the practical issues and economic and cultural impact of location filming for heritage dramas within rural areas. Second, it reflects upon how a community experiences and responds to its status as the host of such a series, considering the impact this has upon questions of identity and heritage. The article draws upon original empirical research, oral history interviews and community archive building conducted within the Chilham community and with Kent Film Office. It explores the memories and experiences of the local population involved in the television location filming process, as both spectators and participants. We thus consider the significance of location from the point of view of those who solicit, resist, profit from, and are caused problems by the temporary transformation of their local space into a television drama shooting space, forging new connections between production practices, location shooting and heritage series and national television/cinema.
published_date 2017-07-27T04:19:07Z
_version_ 1763754269643636736
score 11.012678