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Book chapter 23445 views

Audiences from the Film Archive: women’s writing and silent cinema

Lisa Smithstead

Using Moving Image Archives, Pages: 32 - 47

Swansea University Author: Lisa Smithstead

Abstract

The article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928.

Published in: Using Moving Image Archives
ISBN: 978-0-9564641-1-8
Published: Scope: An Online Journal of Film and Television Studies 2010
Online Access: https://www.nottingham.ac.uk/scope/documents/2010/june-2010/archives-ebook.pdf
URI: https://cronfa.swan.ac.uk/Record/cronfa60758
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first_indexed 2022-08-05T12:22:05Z
last_indexed 2023-01-13T19:21:07Z
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spelling 2022-08-30T12:54:31.1339967 v2 60758 2022-08-05 Audiences from the Film Archive: women’s writing and silent cinema 93398d7d636683958868319f391a8260 Lisa Smithstead Lisa Smithstead true false 2022-08-05 AMED The article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928. Book chapter Using Moving Image Archives 32 47 Scope: An Online Journal of Film and Television Studies 978-0-9564641-1-8 1 6 2010 2010-06-01 https://www.nottingham.ac.uk/scope/documents/2010/june-2010/archives-ebook.pdf COLLEGE NANME Media COLLEGE CODE AMED Swansea University Another institution paid the OA fee Arts and Humanities Research Council 2022-08-30T12:54:31.1339967 2022-08-05T13:18:17.4343619 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Lisa Smithstead 1
title Audiences from the Film Archive: women’s writing and silent cinema
spellingShingle Audiences from the Film Archive: women’s writing and silent cinema
Lisa Smithstead
title_short Audiences from the Film Archive: women’s writing and silent cinema
title_full Audiences from the Film Archive: women’s writing and silent cinema
title_fullStr Audiences from the Film Archive: women’s writing and silent cinema
title_full_unstemmed Audiences from the Film Archive: women’s writing and silent cinema
title_sort Audiences from the Film Archive: women’s writing and silent cinema
author_id_str_mv 93398d7d636683958868319f391a8260
author_id_fullname_str_mv 93398d7d636683958868319f391a8260_***_Lisa Smithstead
author Lisa Smithstead
author2 Lisa Smithstead
format Book chapter
container_title Using Moving Image Archives
container_start_page 32
publishDate 2010
institution Swansea University
isbn 978-0-9564641-1-8
publisher Scope: An Online Journal of Film and Television Studies
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR
url https://www.nottingham.ac.uk/scope/documents/2010/june-2010/archives-ebook.pdf
document_store_str 0
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description The article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928.
published_date 2010-06-01T04:19:08Z
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score 11.016258

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