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The Rhythms Arrhythmic / MARGARET POPP

Swansea University Author: MARGARET POPP

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DOI (Published version): 10.23889/SUthesis.62335

Abstract

This project is a creative exploration and response to the great global challenge of climate change through the medium of poetry. It is composed of three parts, namely, a research- based thesis, a community based cultural initiative and a poetry collection that collectively address these questions:...

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Published: Swansea 2023
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
Supervisor: Kellerman, Alan
URI: https://cronfa.swan.ac.uk/Record/cronfa62335
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first_indexed 2023-01-16T13:18:10Z
last_indexed 2023-02-10T04:18:08Z
id cronfa62335
recordtype RisThesis
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spelling 2023-02-09T11:08:44.1615543 v2 62335 2023-01-16 The Rhythms Arrhythmic e17cc97321add4c557cead3a39a9ab21 MARGARET POPP MARGARET POPP true false 2023-01-16 This project is a creative exploration and response to the great global challenge of climate change through the medium of poetry. It is composed of three parts, namely, a research- based thesis, a community based cultural initiative and a poetry collection that collectively address these questions: The writing of ‘i/Bog’, my poetry collection, is an exposition of the relationship between our human world and the natural world. It is set out as an emotional paradigm to both counter and illuminate the scientific reports on environmental degradation, loss of biodiversity and climate change. We need to look in the creative space to understand loss, legacy, and the imperative to restore harmony in the great cycles of the planet. Figures that tell us of carbon dioxide emissions levels, elevations of sea temperature, species at risk of extinction can be crisp and quantifiable but compete with a welter of data and definitions that obscure meaningfulness. I propose that we need to move beyond the horizon of an understanding formed by tangible evidence into an awareness that speaks to our urgency of being. The writing works it way through this space with an obligation to address two key questions. How do we mediate our relationship with the natural world? How do we acknowledge the existential threat facing nature and by extension human life? Poetry offers a language and a sensory experience that exists in a sphere separate to scientific evidence. Language becomes jargon when we focus on meaning and its precisions. Poetry restores to language a power that is aural and visual as well as verbal. Humans are inspired by stories and a narrative thread gives both a satisfying logical comprehension and sense of security. When we challenge ourselves to move beyond meaning and listen to our senses then we can understand how we can and must redefine our relationship with nature from exploitation to safeguarding. A spiritual space emerges that invites us to merge with the rhythm of the planet and elicit a response that is imaginative and intuitive. E-Thesis Swansea Creative Writing, Concrete Poetry, Climate Crisis, Migration, Community Participation, Cultural Engagements, Concrete &amp; Visual Poetry, Creative Practice, Multi-media, Poetry Films, 3-D Poetry 12 1 2023 2023-01-12 10.23889/SUthesis.62335 COLLEGE NANME COLLEGE CODE Swansea University Kellerman, Alan Doctoral Ph.D 2023-02-09T11:08:44.1615543 2023-01-16T13:14:12.6526302 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing MARGARET POPP 1 62335__26303__256e1f95ddf24c229d265cde1638d445.pdf Hannigan_Popp_M_PhD_Thesis_Final_Redacted_Signature.pdf.pdf 2023-01-16T13:35:46.7546529 Output 7902906 application/pdf E-Thesis – open access true Copyright: The author, Margaret Hannigan Popp, 2023. Released under the terms of a Creative Commons Attribution-Non-Commercial No–Derivatives (CC-BY-NC-ND) License. Third party content is excluded for use under the license terms. true eng https://creativecommons.org/licenses/by-nc-nd/4.0/
title The Rhythms Arrhythmic
spellingShingle The Rhythms Arrhythmic
MARGARET POPP
title_short The Rhythms Arrhythmic
title_full The Rhythms Arrhythmic
title_fullStr The Rhythms Arrhythmic
title_full_unstemmed The Rhythms Arrhythmic
title_sort The Rhythms Arrhythmic
author_id_str_mv e17cc97321add4c557cead3a39a9ab21
author_id_fullname_str_mv e17cc97321add4c557cead3a39a9ab21_***_MARGARET POPP
author MARGARET POPP
author2 MARGARET POPP
format E-Thesis
publishDate 2023
institution Swansea University
doi_str_mv 10.23889/SUthesis.62335
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Literature, Creative Writing{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Literature, Creative Writing
document_store_str 1
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description This project is a creative exploration and response to the great global challenge of climate change through the medium of poetry. It is composed of three parts, namely, a research- based thesis, a community based cultural initiative and a poetry collection that collectively address these questions: The writing of ‘i/Bog’, my poetry collection, is an exposition of the relationship between our human world and the natural world. It is set out as an emotional paradigm to both counter and illuminate the scientific reports on environmental degradation, loss of biodiversity and climate change. We need to look in the creative space to understand loss, legacy, and the imperative to restore harmony in the great cycles of the planet. Figures that tell us of carbon dioxide emissions levels, elevations of sea temperature, species at risk of extinction can be crisp and quantifiable but compete with a welter of data and definitions that obscure meaningfulness. I propose that we need to move beyond the horizon of an understanding formed by tangible evidence into an awareness that speaks to our urgency of being. The writing works it way through this space with an obligation to address two key questions. How do we mediate our relationship with the natural world? How do we acknowledge the existential threat facing nature and by extension human life? Poetry offers a language and a sensory experience that exists in a sphere separate to scientific evidence. Language becomes jargon when we focus on meaning and its precisions. Poetry restores to language a power that is aural and visual as well as verbal. Humans are inspired by stories and a narrative thread gives both a satisfying logical comprehension and sense of security. When we challenge ourselves to move beyond meaning and listen to our senses then we can understand how we can and must redefine our relationship with nature from exploitation to safeguarding. A spiritual space emerges that invites us to merge with the rhythm of the planet and elicit a response that is imaginative and intuitive.
published_date 2023-01-12T04:21:52Z
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score 11.01628

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