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Reframing ephemera: digitisation, community music-making, and archival value(s)

Charlotte Armstrong Orcid Logo, Rachel Cowgill Orcid Logo, Alan Dix Orcid Logo, Christina Bashford, Rupert Ridgewell Orcid Logo, Maureen Reagan, Michael Twidale Orcid Logo, J. Stephen Downie Orcid Logo

Digital Approaches to Inclusion and Participation in Cultural Heritage, Pages: 160 - 180

Swansea University Author: Alan Dix Orcid Logo

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DOI (Published version): 10.4324/9781003277606-9

Abstract

Live musical performances play a powerful role in defining human communities across the globe, yet such intangible temporal/spatial experiences tend to leave only faint traces on the historical record. The Internet of Musical Events: Digital Scholarship, Community, and the Archiving of Performance (...

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Published in: Digital Approaches to Inclusion and Participation in Cultural Heritage
ISBN: 9781003277606
Published: London Routledge 2023
Online Access: http://dx.doi.org/10.4324/9781003277606-9
URI: https://cronfa.swan.ac.uk/Record/cronfa62802
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first_indexed 2023-03-06T14:02:36Z
last_indexed 2023-03-07T04:18:00Z
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spelling 2023-03-06T14:02:37.6312171 v2 62802 2023-03-06 Reframing ephemera: digitisation, community music-making, and archival value(s) e31e47c578b2a6a39949aa7f149f4cf9 0000-0002-5242-7693 Alan Dix Alan Dix true false 2023-03-06 SCS Live musical performances play a powerful role in defining human communities across the globe, yet such intangible temporal/spatial experiences tend to leave only faint traces on the historical record. The Internet of Musical Events: Digital Scholarship, Community, and the Archiving of Performance (InterMusE) project is working with local concert-giving institutions to digitise diverse source types relating to musical events and linking them together in the form of a dynamic digital archive, enabling them to “speak” to each other despite their apparently incompatible formats and geographical dispersal. Modelling new approaches to the open-access presentation of music-historical research based on digitally enabled collaboration, the project adopts an intensely collaborative and egalitarian approach to working alongside these musical communities to understand and preserve their heritage. This chapter explores community archives of musical ephemera as sites of co-produced, “post-custodial” collecting and preservation that can radically transform approaches to digitisation, community music-making, and archival value(s). Book chapter Digital Approaches to Inclusion and Participation in Cultural Heritage 160 180 Routledge London 9781003277606 4 1 2023 2023-01-04 10.4324/9781003277606-9 http://dx.doi.org/10.4324/9781003277606-9 COLLEGE NANME Computer Science COLLEGE CODE SCS Swansea University 2023-03-06T14:02:37.6312171 2023-03-06T13:58:50.8425318 Faculty of Science and Engineering School of Mathematics and Computer Science - Computer Science Charlotte Armstrong 0000-0002-4557-4134 1 Rachel Cowgill 0000-0002-9835-4039 2 Alan Dix 0000-0002-5242-7693 3 Christina Bashford 4 Rupert Ridgewell 0000-0003-0608-4455 5 Maureen Reagan 6 Michael Twidale 0000-0002-1486-7364 7 J. Stephen Downie 0000-0001-9784-5090 8
title Reframing ephemera: digitisation, community music-making, and archival value(s)
spellingShingle Reframing ephemera: digitisation, community music-making, and archival value(s)
Alan Dix
title_short Reframing ephemera: digitisation, community music-making, and archival value(s)
title_full Reframing ephemera: digitisation, community music-making, and archival value(s)
title_fullStr Reframing ephemera: digitisation, community music-making, and archival value(s)
title_full_unstemmed Reframing ephemera: digitisation, community music-making, and archival value(s)
title_sort Reframing ephemera: digitisation, community music-making, and archival value(s)
author_id_str_mv e31e47c578b2a6a39949aa7f149f4cf9
author_id_fullname_str_mv e31e47c578b2a6a39949aa7f149f4cf9_***_Alan Dix
author Alan Dix
author2 Charlotte Armstrong
Rachel Cowgill
Alan Dix
Christina Bashford
Rupert Ridgewell
Maureen Reagan
Michael Twidale
J. Stephen Downie
format Book chapter
container_title Digital Approaches to Inclusion and Participation in Cultural Heritage
container_start_page 160
publishDate 2023
institution Swansea University
isbn 9781003277606
doi_str_mv 10.4324/9781003277606-9
publisher Routledge
college_str Faculty of Science and Engineering
hierarchytype
hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Mathematics and Computer Science - Computer Science{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Mathematics and Computer Science - Computer Science
url http://dx.doi.org/10.4324/9781003277606-9
document_store_str 0
active_str 0
description Live musical performances play a powerful role in defining human communities across the globe, yet such intangible temporal/spatial experiences tend to leave only faint traces on the historical record. The Internet of Musical Events: Digital Scholarship, Community, and the Archiving of Performance (InterMusE) project is working with local concert-giving institutions to digitise diverse source types relating to musical events and linking them together in the form of a dynamic digital archive, enabling them to “speak” to each other despite their apparently incompatible formats and geographical dispersal. Modelling new approaches to the open-access presentation of music-historical research based on digitally enabled collaboration, the project adopts an intensely collaborative and egalitarian approach to working alongside these musical communities to understand and preserve their heritage. This chapter explores community archives of musical ephemera as sites of co-produced, “post-custodial” collecting and preservation that can radically transform approaches to digitisation, community music-making, and archival value(s).
published_date 2023-01-04T04:23:10Z
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score 11.017797

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