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Still Shakespeare and the Photography of Performance

Sally Barnden Orcid Logo

Still Shakespeare and the Photography of Performance

Swansea University Author: Sally Barnden Orcid Logo

Abstract

Still Shakespeare is the first book-length study of the relationship between Shakespeare’s works and photography. It examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicit...

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Published in: Still Shakespeare and the Photography of Performance
ISBN: 9781108487931 9781108768337
Published: Cambridge Cambridge University Press 2019
Online Access: https://www.cambridge.org/gb/universitypress/subjects/literature/renaissance-and-early-modern-literature/still-shakespeare-and-photography-performance?format=HB
URI: https://cronfa.swan.ac.uk/Record/cronfa64322
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spelling v2 64322 2023-09-02 Still Shakespeare and the Photography of Performance a657184d4afcb1c588202ebc2428d803 0000-0002-6186-5572 Sally Barnden Sally Barnden true false 2023-09-02 AELC Still Shakespeare is the first book-length study of the relationship between Shakespeare’s works and photography. It examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicity, of performance, and of Shakespearean character, and at how their dissemination has participated in the diffusion of notions of Shakespearean authority. It suggests that photography has conditioned the reception of Shakespeare’s works in two key ways. Firstly, as a form of performance documentation, photographs shape the way individual performances are remembered and their positioning in relation to traditional and iconoclastic interpretations of the text. Secondly, photographs are vehicles of Shakespearean iconography (as well as interventions in that iconography as inherited from painting and illustration): they encourage particular compositions and interpretations. In its attention to both theatrical and staged (art) photographs, Still Shakespeare demonstrates the role of photography in fixing and unfixing Shakespearean authority – that is, as a contributor to the calcification of Shakespearean quotation, advertising and iconography, and as a cause of the attrition of the relationship between image and text whereby images are taken out of context and attached to other narratives. Book Still Shakespeare and the Photography of Performance Cambridge University Press Cambridge 9781108487931 9781108768337 Shakespeare, performance, photography, liveness, archives 17 12 2019 2019-12-17 https://www.cambridge.org/gb/universitypress/subjects/literature/renaissance-and-early-modern-literature/still-shakespeare-and-photography-performance?format=HB COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2023-09-07T12:01:37.6586592 2023-09-02T12:18:24.8547221 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Sally Barnden 0000-0002-6186-5572 1
title Still Shakespeare and the Photography of Performance
spellingShingle Still Shakespeare and the Photography of Performance
Sally Barnden
title_short Still Shakespeare and the Photography of Performance
title_full Still Shakespeare and the Photography of Performance
title_fullStr Still Shakespeare and the Photography of Performance
title_full_unstemmed Still Shakespeare and the Photography of Performance
title_sort Still Shakespeare and the Photography of Performance
author_id_str_mv a657184d4afcb1c588202ebc2428d803
author_id_fullname_str_mv a657184d4afcb1c588202ebc2428d803_***_Sally Barnden
author Sally Barnden
author2 Sally Barnden
format Book
container_title Still Shakespeare and the Photography of Performance
publishDate 2019
institution Swansea University
isbn 9781108487931
9781108768337
publisher Cambridge University Press
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Literature, Creative Writing{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Literature, Creative Writing
url https://www.cambridge.org/gb/universitypress/subjects/literature/renaissance-and-early-modern-literature/still-shakespeare-and-photography-performance?format=HB
document_store_str 0
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description Still Shakespeare is the first book-length study of the relationship between Shakespeare’s works and photography. It examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicity, of performance, and of Shakespearean character, and at how their dissemination has participated in the diffusion of notions of Shakespearean authority. It suggests that photography has conditioned the reception of Shakespeare’s works in two key ways. Firstly, as a form of performance documentation, photographs shape the way individual performances are remembered and their positioning in relation to traditional and iconoclastic interpretations of the text. Secondly, photographs are vehicles of Shakespearean iconography (as well as interventions in that iconography as inherited from painting and illustration): they encourage particular compositions and interpretations. In its attention to both theatrical and staged (art) photographs, Still Shakespeare demonstrates the role of photography in fixing and unfixing Shakespearean authority – that is, as a contributor to the calcification of Shakespearean quotation, advertising and iconography, and as a cause of the attrition of the relationship between image and text whereby images are taken out of context and attached to other narratives.
published_date 2019-12-17T12:01:39Z
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