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Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues

Sally Barnden Orcid Logo

Shakespeare Jahrbuch

Swansea University Author: Sally Barnden Orcid Logo

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Abstract

This essay introduces two royal library catalogues from the late seventeenth century and uses them to examine the holdings of Shakespeare and other English drama in the royal collection after the Restoration. The catalogues allow us to reconstruct a set of twenty-eight Sammelband volumes of play qua...

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Published in: Shakespeare Jahrbuch
Published: Kröner Verlag (Stuttgart)
URI: https://cronfa.swan.ac.uk/Record/cronfa65146
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spelling v2 65146 2023-11-28 Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues a657184d4afcb1c588202ebc2428d803 0000-0002-6186-5572 Sally Barnden Sally Barnden true false 2023-11-28 CACS This essay introduces two royal library catalogues from the late seventeenth century and uses them to examine the holdings of Shakespeare and other English drama in the royal collection after the Restoration. The catalogues allow us to reconstruct a set of twenty-eight Sammelband volumes of play quartos which were in Charles II’s possession in the 1670s, including a volume of Shakespeare apocrypha which has previously attracted critical attention, but which is here put in its seventeenth-century context for the first time. The essay uses the evidence in the library catalogues to draw tentative conclusions about the process and priorities of royal collecting, and to propose that the library offered one way for the post-Restoration monarchy to efface the interruption to both royal and dramatic continuity during the Commonwealth and Protectorate. Journal Article Shakespeare Jahrbuch 0 Kröner Verlag (Stuttgart) 0 0 0 0001-01-01 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2024-10-29T15:40:48.9289417 2023-11-28T17:53:03.5084816 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Sally Barnden 0000-0002-6186-5572 1 65146__29356__e8432651dfdf4d659abef5f49da6397f.pdf 65146.AAM.pdf 2024-01-03T16:28:58.6752893 Output 240760 application/pdf Accepted Manuscript true Author accepted manuscript document released under the terms of a Creative Commons CC-BY licence using the Swansea University Research Publications Policy (rights retention). true eng https://creativecommons.org/licenses/by/4.0/deed.en
title Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
spellingShingle Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
Sally Barnden
title_short Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
title_full Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
title_fullStr Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
title_full_unstemmed Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
title_sort Shakespeare in the Restoration Royal Libraries: Drama, Collecting, and Continuity in Late Seventeenth-Century Library Catalogues
author_id_str_mv a657184d4afcb1c588202ebc2428d803
author_id_fullname_str_mv a657184d4afcb1c588202ebc2428d803_***_Sally Barnden
author Sally Barnden
author2 Sally Barnden
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institution Swansea University
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description This essay introduces two royal library catalogues from the late seventeenth century and uses them to examine the holdings of Shakespeare and other English drama in the royal collection after the Restoration. The catalogues allow us to reconstruct a set of twenty-eight Sammelband volumes of play quartos which were in Charles II’s possession in the 1670s, including a volume of Shakespeare apocrypha which has previously attracted critical attention, but which is here put in its seventeenth-century context for the first time. The essay uses the evidence in the library catalogues to draw tentative conclusions about the process and priorities of royal collecting, and to propose that the library offered one way for the post-Restoration monarchy to efface the interruption to both royal and dramatic continuity during the Commonwealth and Protectorate.
published_date 0001-01-01T15:40:46Z
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