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Critical representations of work and organization in popular culture

Carl Rhodes

Swansea University Author: Carl Rhodes

Abstract

<div id="synopsistext" class="sa" dir="ltr">This book challenges traditional organizational theory, looking to representations of work and organizations within popular culture and the ways in which these institutions have also been conceptualized and critiqued the...

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Published: Routledge, London 2008
URI: https://cronfa.swan.ac.uk/Record/cronfa6615
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spelling 2011-10-01T00:00:00.0000000 v2 6615 2012-01-16 Critical representations of work and organization in popular culture 6323f8c559e113b1ead52a0e6bb00043 Carl Rhodes Carl Rhodes true false 2012-01-16 <div id="synopsistext" class="sa" dir="ltr">This book challenges traditional organizational theory, looking to representations of work and organizations within popular culture and the ways in which these institutions have also been conceptualized and critiqued there. Through a series of essays, Rhodes and Westwood examine popular culture as a compelling and critical arena in which the complex and contradictory relations that people have with the organizations in which they work are played out. By articulating the knowledge in popular culture with that in theory, they provide new avenues for understanding work organizations as the dominant institutions in contemporary society. Rhodes and Westwood provide a critical review of how organizations are represented in various examples of contemporary popular culture. The book demonstrates how popular culture can be read as an embodiment of knowledge about organizations &ldquo; often more compelling than those common to theory &ldquo; and explores the critical potential of such knowledge and the way in which popular culture can reflect on the spirit of resistance, carnivalisation and rebellion.</div> Book Routledge, London 31 12 2008 2008-12-31 COLLEGE NANME COLLEGE CODE Swansea University 2011-10-01T00:00:00.0000000 2012-01-16T10:11:36.7300000 Faculty of Humanities and Social Sciences School of Management - Business Management Carl Rhodes 1
title Critical representations of work and organization in popular culture
spellingShingle Critical representations of work and organization in popular culture
Carl Rhodes
title_short Critical representations of work and organization in popular culture
title_full Critical representations of work and organization in popular culture
title_fullStr Critical representations of work and organization in popular culture
title_full_unstemmed Critical representations of work and organization in popular culture
title_sort Critical representations of work and organization in popular culture
author_id_str_mv 6323f8c559e113b1ead52a0e6bb00043
author_id_fullname_str_mv 6323f8c559e113b1ead52a0e6bb00043_***_Carl Rhodes
author Carl Rhodes
author2 Carl Rhodes
format Book
publishDate 2008
institution Swansea University
publisher Routledge, London
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Management - Business Management{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Management - Business Management
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description <div id="synopsistext" class="sa" dir="ltr">This book challenges traditional organizational theory, looking to representations of work and organizations within popular culture and the ways in which these institutions have also been conceptualized and critiqued there. Through a series of essays, Rhodes and Westwood examine popular culture as a compelling and critical arena in which the complex and contradictory relations that people have with the organizations in which they work are played out. By articulating the knowledge in popular culture with that in theory, they provide new avenues for understanding work organizations as the dominant institutions in contemporary society. Rhodes and Westwood provide a critical review of how organizations are represented in various examples of contemporary popular culture. The book demonstrates how popular culture can be read as an embodiment of knowledge about organizations &ldquo; often more compelling than those common to theory &ldquo; and explores the critical potential of such knowledge and the way in which popular culture can reflect on the spirit of resistance, carnivalisation and rebellion.</div>
published_date 2008-12-31T03:08:09Z
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score 11.01297

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