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The Burning Tower: Making a Heroine of Young Adult Fantasy / PERRY WYATT

Swansea University Author: PERRY WYATT

  • E-Thesis – open access under embargo until: 21st June 2025

DOI (Published version): 10.23889/SUthesis.66920

Abstract

Post-millennial Young Adult fantasy exploded in popularity at the turn of the century. As a result, iconic heroines such as Katniss Everdeen from Suzanne Collins’s The Hunger Games series (2008-2010) reshaped female leads in the genre. Despite initial heraldry for a demonstration of female power and...

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Published: Swansea, Wales, UK 2024
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
Supervisor: Bilton, Alan
URI: https://cronfa.swan.ac.uk/Record/cronfa66920
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first_indexed 2024-07-01T14:23:47Z
last_indexed 2024-07-01T14:23:47Z
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spelling v2 66920 2024-07-01 The Burning Tower: Making a Heroine of Young Adult Fantasy 5f888c789fcadd5c91cd85d7160c0723 PERRY WYATT PERRY WYATT true false 2024-07-01 Post-millennial Young Adult fantasy exploded in popularity at the turn of the century. As a result, iconic heroines such as Katniss Everdeen from Suzanne Collins’s The Hunger Games series (2008-2010) reshaped female leads in the genre. Despite initial heraldry for a demonstration of female power and advancement towards equality, under modern parameters of feminism, heroines such as Everdeen become questionably admirable. Under the guise of empowerment, these heroines must adhere to patriarchal expectations such as, beauty being imperative; heteronormative unions and childbearing being the ultimate goal; and the overshadowing of female strength by male counterparts. These familiar requirements are reminiscent of the “damsels in distress” of fairy tales from the likes of the Grimm Brothers and Basile. Due to the fantasy genre’s roots in these ancient tales, YA fantasy has yet to fully break away from the past and as a result, has impacted many beloved contemporary heroines. Close analysis of popular YA texts such as the Divergent series by Veronica Roth (2011-2014) and YA fairy tale re-imaginings such as Marissa Meyer’s Lunar Chronicles Saga (2012-2015), establishes the problematic tropes haunting the genre’s leading ladies. The concentration of this study should allow Young Adult authors to become better equipped in their production of “feminist” heroines and offer opportunities for further discussion of adolescent literature. E-Thesis Swansea, Wales, UK Young Adult Fiction, YA, Fairy tale, Fairy tale Rewritten, Feminism, YA Heroine 21 6 2024 2024-06-21 10.23889/SUthesis.66920 COLLEGE NANME COLLEGE CODE Swansea University Bilton, Alan Doctoral Ph.D 2024-07-01T15:58:26.9070871 2024-07-01T15:19:40.5029012 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing PERRY WYATT 1 Under embargo Under embargo 2024-07-01T15:37:37.9826752 Output 1538469 application/pdf E-Thesis – open access true 2025-06-21T00:00:00.0000000 Copyright: The Author, Perry G. Wyatt, 2024. Released under the terms of a Creative Commons Attribution-Only (CC-BY) license. Third party content is excluded for use under the license terms. true eng https://creativecommons.org/licenses/by/4.0/deed.en
title The Burning Tower: Making a Heroine of Young Adult Fantasy
spellingShingle The Burning Tower: Making a Heroine of Young Adult Fantasy
PERRY WYATT
title_short The Burning Tower: Making a Heroine of Young Adult Fantasy
title_full The Burning Tower: Making a Heroine of Young Adult Fantasy
title_fullStr The Burning Tower: Making a Heroine of Young Adult Fantasy
title_full_unstemmed The Burning Tower: Making a Heroine of Young Adult Fantasy
title_sort The Burning Tower: Making a Heroine of Young Adult Fantasy
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description Post-millennial Young Adult fantasy exploded in popularity at the turn of the century. As a result, iconic heroines such as Katniss Everdeen from Suzanne Collins’s The Hunger Games series (2008-2010) reshaped female leads in the genre. Despite initial heraldry for a demonstration of female power and advancement towards equality, under modern parameters of feminism, heroines such as Everdeen become questionably admirable. Under the guise of empowerment, these heroines must adhere to patriarchal expectations such as, beauty being imperative; heteronormative unions and childbearing being the ultimate goal; and the overshadowing of female strength by male counterparts. These familiar requirements are reminiscent of the “damsels in distress” of fairy tales from the likes of the Grimm Brothers and Basile. Due to the fantasy genre’s roots in these ancient tales, YA fantasy has yet to fully break away from the past and as a result, has impacted many beloved contemporary heroines. Close analysis of popular YA texts such as the Divergent series by Veronica Roth (2011-2014) and YA fairy tale re-imaginings such as Marissa Meyer’s Lunar Chronicles Saga (2012-2015), establishes the problematic tropes haunting the genre’s leading ladies. The concentration of this study should allow Young Adult authors to become better equipped in their production of “feminist” heroines and offer opportunities for further discussion of adolescent literature.
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