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Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, Volume: 38, Issue: 47, Pages: 25 - 44
Swansea University Author:
Joanna Rydzewska
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© The Author(s). Published by: Adam Mickiewicz University Press, 2025. Open Access article, distributed under the terms of the CC BY licence.
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DOI (Published version): 10.14746/i.2025.38.47.2
Abstract
The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to...
| Published in: | Images. The International Journal of European Film, Performing Arts and Audiovisual Communication |
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| ISSN: | 1731-450X 2720-040X |
| Published: |
Adam Mickiewicz University Press
2025
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| Online Access: |
Check full text
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| URI: | https://cronfa.swan.ac.uk/Record/cronfa70208 |
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2025-08-21T10:26:39Z |
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2026-01-17T05:31:02Z |
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2026-01-16T10:41:45.9349552 v2 70208 2025-08-21 Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) 404f689e6ac53f83deca163c90483627 0000-0002-9011-6378 Joanna Rydzewska Joanna Rydzewska true false 2025-08-21 CACS The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to enhance its transnational appeal. First, World on Fire broadens the traditional national perspective on historical events by incorporating the viewpoints of other nations. Second, it introduces perspectives that have often been marginalised, including those of women, LGBTQ+ communities, and people with disabilities. Third, it uses distinct cinematic and televisual styles to depict different locations, appealing to audiences interested in cultural tourism. In doing so, the article suggests new approaches for analysing historical television drama beyond those previously adopted. Journal Article Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 38 47 25 44 Adam Mickiewicz University Press 1731-450X 2720-040X World on Fire (2019‒2023), Peter Bowker, high-end TV drama, historical TV series 27 10 2025 2025-10-27 10.14746/i.2025.38.47.2 The Second World War in a Transnational Perspective: An Attempt to Broaden the Audience for Prestigious Television Series. The Case of World on Fire (BBC/PBS, 2019–2023) COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University Not Required 2026-01-16T10:41:45.9349552 2025-08-21T10:58:22.3951308 Faculty of Humanities and Social Sciences School of Culture and Communication - Film and Visual Culture Elżbieta Durys 0000-0002-3545-3160 1 Joanna Rydzewska 0000-0002-9011-6378 2 70208__36020__04db1a35eee6452997d86c0dc99d0444.pdf 70208.VOR.pdf 2026-01-16T10:37:12.0022733 Output 301861 application/pdf Version of Record true © The Author(s). Published by: Adam Mickiewicz University Press, 2025. Open Access article, distributed under the terms of the CC BY licence. true pol https://creativecommons.org/licenses/by/4.0/ |
| title |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
| spellingShingle |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) Joanna Rydzewska |
| title_short |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
| title_full |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
| title_fullStr |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
| title_full_unstemmed |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
| title_sort |
Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) |
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Joanna Rydzewska |
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Elżbieta Durys Joanna Rydzewska |
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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication |
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Adam Mickiewicz University Press |
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The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to enhance its transnational appeal. First, World on Fire broadens the traditional national perspective on historical events by incorporating the viewpoints of other nations. Second, it introduces perspectives that have often been marginalised, including those of women, LGBTQ+ communities, and people with disabilities. Third, it uses distinct cinematic and televisual styles to depict different locations, appealing to audiences interested in cultural tourism. In doing so, the article suggests new approaches for analysing historical television drama beyond those previously adopted. |
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2025-10-27T05:36:31Z |
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