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Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)

Elżbieta Durys Orcid Logo, Joanna Rydzewska Orcid Logo

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, Volume: 38, Issue: 47, Pages: 25 - 44

Swansea University Author: Joanna Rydzewska Orcid Logo

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Abstract

The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to...

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Published in: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
ISSN: 1731-450X 2720-040X
Published: Adam Mickiewicz University Press 2025
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa70208
first_indexed 2025-08-21T10:26:39Z
last_indexed 2026-01-17T05:31:02Z
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spelling 2026-01-16T10:41:45.9349552 v2 70208 2025-08-21 Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023) 404f689e6ac53f83deca163c90483627 0000-0002-9011-6378 Joanna Rydzewska Joanna Rydzewska true false 2025-08-21 CACS The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to enhance its transnational appeal. First, World on Fire broadens the traditional national perspective on historical events by incorporating the viewpoints of other nations. Second, it introduces perspectives that have often been marginalised, including those of women, LGBTQ+ communities, and people with disabilities. Third, it uses distinct cinematic and televisual styles to depict different locations, appealing to audiences interested in cultural tourism. In doing so, the article suggests new approaches for analysing historical television drama beyond those previously adopted. Journal Article Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 38 47 25 44 Adam Mickiewicz University Press 1731-450X 2720-040X World on Fire (2019‒2023), Peter Bowker, high-end TV drama, historical TV series 27 10 2025 2025-10-27 10.14746/i.2025.38.47.2 The Second World War in a Transnational Perspective: An Attempt to Broaden the Audience for Prestigious Television Series. The Case of World on Fire (BBC/PBS, 2019–2023) COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University Not Required 2026-01-16T10:41:45.9349552 2025-08-21T10:58:22.3951308 Faculty of Humanities and Social Sciences School of Culture and Communication - Film and Visual Culture Elżbieta Durys 0000-0002-3545-3160 1 Joanna Rydzewska 0000-0002-9011-6378 2 70208__36020__04db1a35eee6452997d86c0dc99d0444.pdf 70208.VOR.pdf 2026-01-16T10:37:12.0022733 Output 301861 application/pdf Version of Record true © The Author(s). Published by: Adam Mickiewicz University Press, 2025. Open Access article, distributed under the terms of the CC BY licence. true pol https://creativecommons.org/licenses/by/4.0/
title Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
spellingShingle Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
Joanna Rydzewska
title_short Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
title_full Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
title_fullStr Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
title_full_unstemmed Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
title_sort Druga wojna światowa w ujęciu transnarodowym: próba poszerzenia grona odbiorców prestiżowych seriali. Przypadek Świata w ogniu (BBC/PBS, 2019‒2023)
author_id_str_mv 404f689e6ac53f83deca163c90483627
author_id_fullname_str_mv 404f689e6ac53f83deca163c90483627_***_Joanna Rydzewska
author Joanna Rydzewska
author2 Elżbieta Durys
Joanna Rydzewska
format Journal article
container_title Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
container_volume 38
container_issue 47
container_start_page 25
publishDate 2025
institution Swansea University
issn 1731-450X
2720-040X
doi_str_mv 10.14746/i.2025.38.47.2
publisher Adam Mickiewicz University Press
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - Film and Visual Culture{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Film and Visual Culture
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description The current state of high-end television drama provides the starting point for analysing World on Fire (BBC/PBS, 2019‒2023) as an example of expanding the audience for historical series about the Second World War. The article argues that the series’ creator, Peter Bowker, employs three strategies to enhance its transnational appeal. First, World on Fire broadens the traditional national perspective on historical events by incorporating the viewpoints of other nations. Second, it introduces perspectives that have often been marginalised, including those of women, LGBTQ+ communities, and people with disabilities. Third, it uses distinct cinematic and televisual styles to depict different locations, appealing to audiences interested in cultural tourism. In doing so, the article suggests new approaches for analysing historical television drama beyond those previously adopted.
published_date 2025-10-27T05:36:31Z
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