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Still Fighting “The Beast”: Guerrilla Television and the Limits of Youtube

William Merrin Orcid Logo

Cultural Politics, Volume: 8, Issue: 1, Pages: 97 - 119

Swansea University Author: William Merrin Orcid Logo

Abstract

This critical reflection on the work of the Raindance Corporation and Michael Shamberg and their manifesto, Guerrilla Television (1971), considers their video activism as a precursor to both YouTube and contemporary “participatory culture” and offers an important critique of these later forms. The e...

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Published in: Cultural Politics
Published: Cultural Politics 2012
URI: https://cronfa.swan.ac.uk/Record/cronfa11117
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Abstract: This critical reflection on the work of the Raindance Corporation and Michael Shamberg and their manifesto, Guerrilla Television (1971), considers their video activism as a precursor to both YouTube and contemporary “participatory culture” and offers an important critique of these later forms. The essay traces the history of the Raindance Corporation and then considers Shamberg’s media-ecological critique of broadcasting and defense of democratized video making, his later attempts at mainstream production, and his contemporary views on the rise of YouTube. It argues for the continuing relevance of Shamberg’s ecological critique, suggesting that his concern for ecological diversity and grassroots control serve as an important warning against the uncritical valorization of sites such as YouTube. Guerrilla Television serves as a reminder that it is called YouTube, not YourTube.
Keywords: digital media, youtube, media theory
College: Faculty of Humanities and Social Sciences
Issue: 1
Start Page: 97
End Page: 119