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Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?

John Chamberlain, Marty Chamberlain Orcid Logo

XVIII International Sociological Association World Congress of Sociology

Swansea University Author: Marty Chamberlain Orcid Logo

Abstract

The purpose of this paper is to critical investigate how images of political dissent and activism are represented in modern art. The paper argues that this raises significant questions surrounding the value-laden nature of criminological research concerned with post-modern representations of crime a...

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Published in: XVIII International Sociological Association World Congress of Sociology
Published: Yokohama, Japan International Sociological Association 2014
Online Access: http://www.isa-sociology.org/congress2014/
URI: https://cronfa.swan.ac.uk/Record/cronfa29739
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first_indexed 2016-09-03T12:54:22Z
last_indexed 2018-02-09T05:15:04Z
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spelling 2016-09-03T09:43:49.6438648 v2 29739 2016-09-03 Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk? 98bbc13e72a7ce4126a562a668e50144 0000-0001-6067-6561 Marty Chamberlain Marty Chamberlain true false 2016-09-03 CRIM The purpose of this paper is to critical investigate how images of political dissent and activism are represented in modern art. The paper argues that this raises significant questions surrounding the value-laden nature of criminological research concerned with post-modern representations of crime and justice. Conference Paper/Proceeding/Abstract XVIII International Sociological Association World Congress of Sociology International Sociological Association Yokohama, Japan crime, law, art, visual criminology 13 7 2014 2014-07-13 http://www.isa-sociology.org/congress2014/ COLLEGE NANME Criminology COLLEGE CODE CRIM Swansea University 2016-09-03T09:43:49.6438648 2016-09-03T09:42:40.7374377 Faculty of Humanities and Social Sciences Hilary Rodham Clinton School of Law John Chamberlain 1 Marty Chamberlain 0000-0001-6067-6561 2
title Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
spellingShingle Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
Marty Chamberlain
title_short Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
title_full Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
title_fullStr Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
title_full_unstemmed Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
title_sort Images of Activism and Protest in Modern Art: Towards a Visual Criminology of Risk?
author_id_str_mv 98bbc13e72a7ce4126a562a668e50144
author_id_fullname_str_mv 98bbc13e72a7ce4126a562a668e50144_***_Marty Chamberlain
author Marty Chamberlain
author2 John Chamberlain
Marty Chamberlain
format Conference Paper/Proceeding/Abstract
container_title XVIII International Sociological Association World Congress of Sociology
publishDate 2014
institution Swansea University
publisher International Sociological Association
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str Hilary Rodham Clinton School of Law{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}Hilary Rodham Clinton School of Law
url http://www.isa-sociology.org/congress2014/
document_store_str 0
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description The purpose of this paper is to critical investigate how images of political dissent and activism are represented in modern art. The paper argues that this raises significant questions surrounding the value-laden nature of criminological research concerned with post-modern representations of crime and justice.
published_date 2014-07-13T03:36:13Z
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score 11.012678

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