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'This Prison Where I Live': Ireland Takes Centre Stage

N. Collins, Nicholas Taylor-Collins Orcid Logo

Cahiers Élisabéthains: A Journal of English Renaissance Studies, Volume: 88, Issue: 1, Pages: 125 - 138

Swansea University Author: Nicholas Taylor-Collins Orcid Logo

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DOI (Published version): 10.7227/CE.88.1.9

Abstract

Although never visibly staged, Ireland plays a critical role in monarchic succession in Shakespeare's histories. Through two complementary offstage phenomena, the ‘spectral’ and the ‘obscene’, this article reveals how Ireland imprisons England. In '2 Henry VI', Ireland's spectral...

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Published in: Cahiers Élisabéthains: A Journal of English Renaissance Studies
ISSN: 2054-4715
Published: 2015
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URI: https://cronfa.swan.ac.uk/Record/cronfa36111
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first_indexed 2017-10-17T13:14:26Z
last_indexed 2018-03-19T14:31:20Z
id cronfa36111
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spelling 2018-03-19T11:42:07.1673726 v2 36111 2017-10-17 'This Prison Where I Live': Ireland Takes Centre Stage f29eb447b011401e41c6bfa9f544cf89 0000-0002-8031-6640 Nicholas Taylor-Collins Nicholas Taylor-Collins true false 2017-10-17 Although never visibly staged, Ireland plays a critical role in monarchic succession in Shakespeare's histories. Through two complementary offstage phenomena, the ‘spectral’ and the ‘obscene’, this article reveals how Ireland imprisons England. In '2 Henry VI', Ireland's spectral presence provides York with the ideal space from which to foment rebellion and challenge Henry VI. In 'Richard II', by contrast, Richard heads to Ireland to quell rebellion; however, Richard's trip leads to his enforced abdication. Richard, imprisoned, is caught between an obscene state of exclusion and the spectral world beyond the prison walls: Ireland, crucially, is shown to imprison England's imagination. Journal Article Cahiers Élisabéthains: A Journal of English Renaissance Studies 88 1 125 138 2054-4715 William Shakespeare, Richard II, 2 Henry VI, spectral, obscene, Ireland, England 1 10 2015 2015-10-01 10.7227/CE.88.1.9 COLLEGE NANME COLLEGE CODE Swansea University 2018-03-19T11:42:07.1673726 2017-10-17T10:36:26.6188332 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics N. Collins 1 Nicholas Taylor-Collins 0000-0002-8031-6640 2
title 'This Prison Where I Live': Ireland Takes Centre Stage
spellingShingle 'This Prison Where I Live': Ireland Takes Centre Stage
Nicholas Taylor-Collins
title_short 'This Prison Where I Live': Ireland Takes Centre Stage
title_full 'This Prison Where I Live': Ireland Takes Centre Stage
title_fullStr 'This Prison Where I Live': Ireland Takes Centre Stage
title_full_unstemmed 'This Prison Where I Live': Ireland Takes Centre Stage
title_sort 'This Prison Where I Live': Ireland Takes Centre Stage
author_id_str_mv f29eb447b011401e41c6bfa9f544cf89
author_id_fullname_str_mv f29eb447b011401e41c6bfa9f544cf89_***_Nicholas Taylor-Collins
author Nicholas Taylor-Collins
author2 N. Collins
Nicholas Taylor-Collins
format Journal article
container_title Cahiers Élisabéthains: A Journal of English Renaissance Studies
container_volume 88
container_issue 1
container_start_page 125
publishDate 2015
institution Swansea University
issn 2054-4715
doi_str_mv 10.7227/CE.88.1.9
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description Although never visibly staged, Ireland plays a critical role in monarchic succession in Shakespeare's histories. Through two complementary offstage phenomena, the ‘spectral’ and the ‘obscene’, this article reveals how Ireland imprisons England. In '2 Henry VI', Ireland's spectral presence provides York with the ideal space from which to foment rebellion and challenge Henry VI. In 'Richard II', by contrast, Richard heads to Ireland to quell rebellion; however, Richard's trip leads to his enforced abdication. Richard, imprisoned, is caught between an obscene state of exclusion and the spectral world beyond the prison walls: Ireland, crucially, is shown to imprison England's imagination.
published_date 2015-10-01T03:45:06Z
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score 11.036378

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