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John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation. / Kieron Smith

Swansea University Author: Kieron Smith

Abstract

"This thesis is a detailed examination of the films of Swansea-born poet and BBC Wales documentary filmmaker John Ormond. It examines the uses of the documentary form within the context of a broadcasting institution that many have argued has been one of the central agents in the political and c...

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Published: 2014
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
URI: https://cronfa.swan.ac.uk/Record/cronfa42379
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first_indexed 2018-08-02T18:54:34Z
last_indexed 2018-08-03T10:09:59Z
id cronfa42379
recordtype RisThesis
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spelling 2018-08-02T16:24:29.0257825 v2 42379 2018-08-02 John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation. 154c8cad61682de04137f5c71c2d1726 NULL Kieron Smith Kieron Smith true true 2018-08-02 "This thesis is a detailed examination of the films of Swansea-born poet and BBC Wales documentary filmmaker John Ormond. It examines the uses of the documentary form within the context of a broadcasting institution that many have argued has been one of the central agents in the political and cultural development of this small nation. Given that the thesis is concerned with the work a decidedly creative figure, it seeks throughout to keep in focus Ormond's unique contribution to the documentary form. It begins with an interpretation of Ormond's broad cultural and philosophical framework as embodied in his poetry, and from here goes on to explore the ways in which this thinking impacted upon his approach to film as a medium and, particularly, the documentary as a cultural form. It positions Ormond's approach to documentary within the tradition of the Griersonian 'British Documentary Movement', in particular its post-war manifestations on British television as pioneered by producers such as Denis Mitchell, Norman Swallow and Philip Donnellan. Indeed, the thesis is, in part, an attempt to align Ormond's work with these better-known figures in British television history. The major aim of the thesis, however, is to explore the uses of this peculiarly civic cultural form within a minority national broadcasting context. To this end, it utilizes Jurgen Habermas's notion of the 'public sphere' as a lens through which to examine the ways in which Ormond's wide-ranging oeuvre interacted with and impacted upon a Welsh public sphere at a time of unprecedented political, economic, social, and cultural change. It distinguishes three broad areas of thematic concern - "culture", "historiography" and the "ethnographic" - and examines the ways in which Ormond's films reflect and contribute to a wide and shifting range of national discourses in this pivotal era in the history of Wales." E-Thesis Film studies. 31 12 2014 2014-12-31 COLLEGE NANME English Language and Applied Linguistics COLLEGE CODE Swansea University Doctoral Ph.D 2018-08-02T16:24:29.0257825 2018-08-02T16:24:29.0257825 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Kieron Smith NULL 1 0042379-02082018162449.pdf 10798087.pdf 2018-08-02T16:24:49.7900000 Output 11092728 application/pdf E-Thesis true 2018-08-02T16:24:49.7900000 false
title John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
spellingShingle John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
Kieron Smith
title_short John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
title_full John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
title_fullStr John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
title_full_unstemmed John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
title_sort John Ormond and the BBC Wales Film Unit: Poetry, documentary, nation.
author_id_str_mv 154c8cad61682de04137f5c71c2d1726
author_id_fullname_str_mv 154c8cad61682de04137f5c71c2d1726_***_Kieron Smith
author Kieron Smith
author2 Kieron Smith
format E-Thesis
publishDate 2014
institution Swansea University
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
document_store_str 1
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description "This thesis is a detailed examination of the films of Swansea-born poet and BBC Wales documentary filmmaker John Ormond. It examines the uses of the documentary form within the context of a broadcasting institution that many have argued has been one of the central agents in the political and cultural development of this small nation. Given that the thesis is concerned with the work a decidedly creative figure, it seeks throughout to keep in focus Ormond's unique contribution to the documentary form. It begins with an interpretation of Ormond's broad cultural and philosophical framework as embodied in his poetry, and from here goes on to explore the ways in which this thinking impacted upon his approach to film as a medium and, particularly, the documentary as a cultural form. It positions Ormond's approach to documentary within the tradition of the Griersonian 'British Documentary Movement', in particular its post-war manifestations on British television as pioneered by producers such as Denis Mitchell, Norman Swallow and Philip Donnellan. Indeed, the thesis is, in part, an attempt to align Ormond's work with these better-known figures in British television history. The major aim of the thesis, however, is to explore the uses of this peculiarly civic cultural form within a minority national broadcasting context. To this end, it utilizes Jurgen Habermas's notion of the 'public sphere' as a lens through which to examine the ways in which Ormond's wide-ranging oeuvre interacted with and impacted upon a Welsh public sphere at a time of unprecedented political, economic, social, and cultural change. It distinguishes three broad areas of thematic concern - "culture", "historiography" and the "ethnographic" - and examines the ways in which Ormond's films reflect and contribute to a wide and shifting range of national discourses in this pivotal era in the history of Wales."
published_date 2014-12-31T03:52:51Z
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score 11.012678

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