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120th anniversary event for ‘Dora’ telling her burning house dream to Freud

Julia Lockheart, Brigitte Holzinger, Katharina Adler, Deirdre Barrett, Dany Nobus, Zora Wessely, Mark Blagrove Orcid Logo

International Journal of Dream Research, Volume: 14, Issue: 2, Pages: 202 - 208

Swansea University Author: Mark Blagrove Orcid Logo

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Abstract

This paper reports a DreamsID (Dreams Illustrated and Discussed) art science collaborative event held to commemorate the first dream told by Dora to Freud, in November 1900, during her psychoanalysis. As part of the online ‘Main stage’ schedule from the Swansea Science Festival, the event had partic...

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Published in: International Journal of Dream Research
ISSN: 1866-7953
Published: Heidelberg Universitats Bibliothek Heidelberg 2021
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URI: https://cronfa.swan.ac.uk/Record/cronfa57019
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spelling 2022-10-27T15:18:23.8092469 v2 57019 2021-06-02 120th anniversary event for ‘Dora’ telling her burning house dream to Freud 8c78ee008e650b9f0a463bae56a5636c 0000-0002-9854-1854 Mark Blagrove Mark Blagrove true false 2021-06-02 HPS This paper reports a DreamsID (Dreams Illustrated and Discussed) art science collaborative event held to commemorate the first dream told by Dora to Freud, in November 1900, during her psychoanalysis. As part of the online ‘Main stage’ schedule from the Swansea Science Festival, the event had participation from a worldwide audience, and contributions from expert panel members. That Dora’s dream is a poignant depiction of the distress and persecution in her teenage life can be seen from Dora’s free associations to the dream, but this is often overshadowed in readings of Freud’s case study by his speculative further interpretations of the dream, derived from Freud’s own associations. This paper includes the background to the case study, and the main points, themes and questions raised by the online discussion of the case study. These included the lack of emotion in the dream report; whether the dream was used by Dora to show to Freud the danger that she was in; the relationship between Dora’s dream, with its metaphor of the need to escape from the danger of fire, and dreams more widely of trauma and abuse; and the ethics of Dora’s real-life name having been made known without her permission. The painting produced live during the event is reproduced, with an account of the discussion of how the painting is composed. A link to the film of the event is provided. Journal Article International Journal of Dream Research 14 2 202 208 Universitats Bibliothek Heidelberg Heidelberg 1866-7953 Dream, Dream analysis, Dora, Freud, Psychoanalysis, Art, Ullman dream discussion technique 31 10 2021 2021-10-31 10.11588/ijodr.2021.2.77283 https://journals.ub.uni-heidelberg.de/index.php/IJoDR/article/view/77283 https://journals.ub.uni-heidelberg.de/index.php/IJoDR/article/view/77283 COLLEGE NANME Psychology COLLEGE CODE HPS Swansea University Not Required 2022-10-27T15:18:23.8092469 2021-06-02T14:36:05.2761292 Faculty of Medicine, Health and Life Sciences School of Psychology Julia Lockheart 1 Brigitte Holzinger 2 Katharina Adler 3 Deirdre Barrett 4 Dany Nobus 5 Zora Wessely 6 Mark Blagrove 0000-0002-9854-1854 7 57019__21393__0b581b24fca849a18a77e6609f990ece.pdf LockheartEtAl2021Dora.pdf 2021-11-01T18:00:34.4485616 Output 1401261 application/pdf Version of Record true Released under the terms of a Creative Commons Attribution License true eng https://creativecommons.org/licenses/by/3.0/
title 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
spellingShingle 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
Mark Blagrove
title_short 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
title_full 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
title_fullStr 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
title_full_unstemmed 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
title_sort 120th anniversary event for ‘Dora’ telling her burning house dream to Freud
author_id_str_mv 8c78ee008e650b9f0a463bae56a5636c
author_id_fullname_str_mv 8c78ee008e650b9f0a463bae56a5636c_***_Mark Blagrove
author Mark Blagrove
author2 Julia Lockheart
Brigitte Holzinger
Katharina Adler
Deirdre Barrett
Dany Nobus
Zora Wessely
Mark Blagrove
format Journal article
container_title International Journal of Dream Research
container_volume 14
container_issue 2
container_start_page 202
publishDate 2021
institution Swansea University
issn 1866-7953
doi_str_mv 10.11588/ijodr.2021.2.77283
publisher Universitats Bibliothek Heidelberg
college_str Faculty of Medicine, Health and Life Sciences
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hierarchy_top_id facultyofmedicinehealthandlifesciences
hierarchy_top_title Faculty of Medicine, Health and Life Sciences
hierarchy_parent_id facultyofmedicinehealthandlifesciences
hierarchy_parent_title Faculty of Medicine, Health and Life Sciences
department_str School of Psychology{{{_:::_}}}Faculty of Medicine, Health and Life Sciences{{{_:::_}}}School of Psychology
url https://journals.ub.uni-heidelberg.de/index.php/IJoDR/article/view/77283
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description This paper reports a DreamsID (Dreams Illustrated and Discussed) art science collaborative event held to commemorate the first dream told by Dora to Freud, in November 1900, during her psychoanalysis. As part of the online ‘Main stage’ schedule from the Swansea Science Festival, the event had participation from a worldwide audience, and contributions from expert panel members. That Dora’s dream is a poignant depiction of the distress and persecution in her teenage life can be seen from Dora’s free associations to the dream, but this is often overshadowed in readings of Freud’s case study by his speculative further interpretations of the dream, derived from Freud’s own associations. This paper includes the background to the case study, and the main points, themes and questions raised by the online discussion of the case study. These included the lack of emotion in the dream report; whether the dream was used by Dora to show to Freud the danger that she was in; the relationship between Dora’s dream, with its metaphor of the need to escape from the danger of fire, and dreams more widely of trauma and abuse; and the ethics of Dora’s real-life name having been made known without her permission. The painting produced live during the event is reproduced, with an account of the discussion of how the painting is composed. A link to the film of the event is provided.
published_date 2021-10-31T04:12:26Z
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