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Framing the land of the Northern Lights / Paul White; Nigel Morgan; Annette Pritchard; Bente Heimtun

Annals of Tourism Research, Volume: 78, Start page: 102739

Swansea University Author: Paul, White

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DOI (Published version): 10.1016/j.annals.2019.06.006

Abstract

Developing affinities between the production and consumption of people and place is crucial for the promotion of tourism. This paper troubles front and backstage distinctions of place and its media representation to examine how destinations are framed and explore the power of the imaginary in shapin...

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Published in: Annals of Tourism Research
ISSN: 01607383
Published: 2019
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URI: https://cronfa.swan.ac.uk/Record/cronfa50811
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first_indexed 2019-06-13T15:01:56Z
last_indexed 2020-10-16T03:03:04Z
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spelling 2020-10-15T15:59:13.7543276 v2 50811 2019-06-13 Framing the land of the Northern Lights 5dad17680576ad766df177ee22c54199 0000-0002-6562-4696 Paul White Paul White true false 2019-06-13 BBU Developing affinities between the production and consumption of people and place is crucial for the promotion of tourism. This paper troubles front and backstage distinctions of place and its media representation to examine how destinations are framed and explore the power of the imaginary in shaping how individuals apprehend and create social worlds. Bringing critical discourse analysis together with stakeholder interviews, we scrutinise an influential television travel documentary as an instrument of cultural pedagogy, which creates, recycles, and re-enacts a tourism imaginary. The paper’s distinctive contribution is the exloration of the multiple means through which travel journalism performs enrolment work through imagined portrayals of people and place within globalised cultural texts by highlighting the multi-dimensional workings of power in and through a framing of Northern Norway. Journal Article Annals of Tourism Research 78 102739 01607383 Film-tourism; framing; discourse; imaginary; power; Arctic; Norway. 30 9 2019 2019-09-30 10.1016/j.annals.2019.06.006 COLLEGE NANME Business COLLEGE CODE BBU Swansea University 2020-10-15T15:59:13.7543276 2019-06-13T10:04:11.8817163 School of Management Business Paul White 0000-0002-6562-4696 1 Nigel Morgan 2 Annette Pritchard 3 Bente Heimtun 4 Under embargo Under embargo 2019-06-17T12:39:49.7830000 Output 322383 application/pdf Accepted Manuscript true 2021-07-10T00:00:00.0000000 Released under the terms of a Creative Commons Attribution Non-Commercial No Derivatives License (CC-BY-NC-ND). true eng 0050811-13062019101910.docx NorthernLightswithouttables.docx 2019-06-13T10:19:10.6670000 Output 79088 application/vnd.openxmlformats-officedocument.wordprocessingml.document Accepted Manuscript true 2019-06-13T00:00:00.0000000 true eng
title Framing the land of the Northern Lights
spellingShingle Framing the land of the Northern Lights
Paul, White
title_short Framing the land of the Northern Lights
title_full Framing the land of the Northern Lights
title_fullStr Framing the land of the Northern Lights
title_full_unstemmed Framing the land of the Northern Lights
title_sort Framing the land of the Northern Lights
author_id_str_mv 5dad17680576ad766df177ee22c54199
author_id_fullname_str_mv 5dad17680576ad766df177ee22c54199_***_Paul, White
author Paul, White
author2 Paul White
Nigel Morgan
Annette Pritchard
Bente Heimtun
format Journal article
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container_volume 78
container_start_page 102739
publishDate 2019
institution Swansea University
issn 01607383
doi_str_mv 10.1016/j.annals.2019.06.006
college_str School of Management
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hierarchy_top_title School of Management
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description Developing affinities between the production and consumption of people and place is crucial for the promotion of tourism. This paper troubles front and backstage distinctions of place and its media representation to examine how destinations are framed and explore the power of the imaginary in shaping how individuals apprehend and create social worlds. Bringing critical discourse analysis together with stakeholder interviews, we scrutinise an influential television travel documentary as an instrument of cultural pedagogy, which creates, recycles, and re-enacts a tourism imaginary. The paper’s distinctive contribution is the exloration of the multiple means through which travel journalism performs enrolment work through imagined portrayals of people and place within globalised cultural texts by highlighting the multi-dimensional workings of power in and through a framing of Northern Norway.
published_date 2019-09-30T04:10:42Z
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score 10.780896

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