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Framing the land of the Northern Lights

Paul White Orcid Logo, Nigel Morgan, Annette Pritchard, Bente Heimtun

Annals of Tourism Research, Volume: 78, Start page: 102739

Swansea University Author: Paul White Orcid Logo

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Abstract

Developing affinities between the production and consumption of people and place is crucial for the promotion of tourism. This paper troubles front and backstage distinctions of place and its media representation to examine how destinations are framed and explore the power of the imaginary in shapin...

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Published in: Annals of Tourism Research
ISSN: 01607383
Published: 2019
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URI: https://cronfa.swan.ac.uk/Record/cronfa50811
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first_indexed 2019-06-13T15:01:56Z
last_indexed 2020-10-16T03:03:04Z
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title Framing the land of the Northern Lights
spellingShingle Framing the land of the Northern Lights
Paul White
title_short Framing the land of the Northern Lights
title_full Framing the land of the Northern Lights
title_fullStr Framing the land of the Northern Lights
title_full_unstemmed Framing the land of the Northern Lights
title_sort Framing the land of the Northern Lights
author_id_str_mv 5dad17680576ad766df177ee22c54199
author_id_fullname_str_mv 5dad17680576ad766df177ee22c54199_***_Paul White
author Paul White
author2 Paul White
Nigel Morgan
Annette Pritchard
Bente Heimtun
format Journal article
container_title Annals of Tourism Research
container_volume 78
container_start_page 102739
publishDate 2019
institution Swansea University
issn 01607383
doi_str_mv 10.1016/j.annals.2019.06.006
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_title Faculty of Humanities and Social Sciences
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department_str School of Management - Business Management{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Management - Business Management
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description Developing affinities between the production and consumption of people and place is crucial for the promotion of tourism. This paper troubles front and backstage distinctions of place and its media representation to examine how destinations are framed and explore the power of the imaginary in shaping how individuals apprehend and create social worlds. Bringing critical discourse analysis together with stakeholder interviews, we scrutinise an influential television travel documentary as an instrument of cultural pedagogy, which creates, recycles, and re-enacts a tourism imaginary. The paper’s distinctive contribution is the exloration of the multiple means through which travel journalism performs enrolment work through imagined portrayals of people and place within globalised cultural texts by highlighting the multi-dimensional workings of power in and through a framing of Northern Norway.
published_date 2019-09-30T04:02:26Z
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