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Conceptualising On-Screen Tourism Destination Development

Christine Lundberg, Nigel Morgan Orcid Logo, Vassilios Ziakas

Tourist Studies

Swansea University Author: Nigel Morgan Orcid Logo

Abstract

This paper integrates cultural theory and marketing strategy to examine the complex relationship between on-screen popular culture and tourism destination place-making. Its review of the literature results in the development of an inter-disciplinary conceptual framework (termed ‘on-screen dollying’)...

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Published in: Tourist Studies
Published: 2018
Online Access: http://journals.sagepub.com/home/tou
URI: https://cronfa.swan.ac.uk/Record/cronfa33005
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first_indexed 2017-04-18T19:02:34Z
last_indexed 2019-07-24T14:52:37Z
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spelling 2019-07-24T11:52:04.6125803 v2 33005 2017-04-18 Conceptualising On-Screen Tourism Destination Development ea277c665892a288a157e9d86ea8a068 0000-0002-4804-4972 Nigel Morgan Nigel Morgan true false 2017-04-18 This paper integrates cultural theory and marketing strategy to examine the complex relationship between on-screen popular culture and tourism destination place-making. Its review of the literature results in the development of an inter-disciplinary conceptual framework (termed ‘on-screen dollying’) that provides a culturally-grounded and contextually-driven theorisation of the means by which on-screen popular culture place-making can foster destination development. In developing the conceptual framework, the paper classifies the characteristics of on-screen tourism affecting destination development and identifies six strategies for leveraging on-screen tourism. Based on our inter-disciplinary analysis, we propose a research agenda that integrates on-screen tourism and destination place-making and which has implications for policy and theory. Journal Article Tourist Studies On-screen tourism, film tourism, popular culture, marketing, place-making 31 12 2018 2018-12-31 http://journals.sagepub.com/home/tou COLLEGE NANME COLLEGE CODE Swansea University 2019-07-24T11:52:04.6125803 2017-04-18T15:57:53.4412864 Faculty of Humanities and Social Sciences School of Management - Business Management Christine Lundberg 1 Nigel Morgan 0000-0002-4804-4972 2 Vassilios Ziakas 3 0033005-14052018141037.pdf 33005.pdf 2018-05-14T14:10:37.0730000 Output 754891 application/pdf Accepted Manuscript true 2018-05-14T00:00:00.0000000 true eng
title Conceptualising On-Screen Tourism Destination Development
spellingShingle Conceptualising On-Screen Tourism Destination Development
Nigel Morgan
title_short Conceptualising On-Screen Tourism Destination Development
title_full Conceptualising On-Screen Tourism Destination Development
title_fullStr Conceptualising On-Screen Tourism Destination Development
title_full_unstemmed Conceptualising On-Screen Tourism Destination Development
title_sort Conceptualising On-Screen Tourism Destination Development
author_id_str_mv ea277c665892a288a157e9d86ea8a068
author_id_fullname_str_mv ea277c665892a288a157e9d86ea8a068_***_Nigel Morgan
author Nigel Morgan
author2 Christine Lundberg
Nigel Morgan
Vassilios Ziakas
format Journal article
container_title Tourist Studies
publishDate 2018
institution Swansea University
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Management - Business Management{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Management - Business Management
url http://journals.sagepub.com/home/tou
document_store_str 1
active_str 0
description This paper integrates cultural theory and marketing strategy to examine the complex relationship between on-screen popular culture and tourism destination place-making. Its review of the literature results in the development of an inter-disciplinary conceptual framework (termed ‘on-screen dollying’) that provides a culturally-grounded and contextually-driven theorisation of the means by which on-screen popular culture place-making can foster destination development. In developing the conceptual framework, the paper classifies the characteristics of on-screen tourism affecting destination development and identifies six strategies for leveraging on-screen tourism. Based on our inter-disciplinary analysis, we propose a research agenda that integrates on-screen tourism and destination place-making and which has implications for policy and theory.
published_date 2018-12-31T03:40:37Z
_version_ 1763751847347093504
score 11.012678

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